No wonder she had passed it; with all she had expected at the back of
her mind! The strip of pavement outside was dark, with not so much as a
single taxi in sight; the door half-shut, the dreary vestibule
badly-lighted, empty, smelling of damp. The sodden-looking sketch of a
man in the pay-box seemed half asleep; stretched, yawned when she
spoke, pushing a strip of pink paper towards her as she gave her name.
"For two." He poked out a long neck and peered round the edge of the
box, like a tortoise from its shell.
"The other lydy wasn't not able ter come ter-night," answered Jenny
with dignity, and the beast grinned, displaying a wreckage of broken
teeth.
"Ain't not what you might call a crowd, anyway," he remarked.
She could have killed him for that! She realised the white face of a
clock, but she would not look at it. She was early, that was it. Look
how she had hurried. No wonder that she was early. And great ladies
were always late: she had learnt that from the _Daily Mail_ stories.
"Two an' two make four--them too late an' me too early!" she said to
herself, with a gallant effort after her own brisk way of taking
things, a surer tap of heels on the stone floor as she turned towards a
swing-door to her left; pushed it open, and was hit in the face by what
seemed like a thick black curtain.
A dim white-gloved hand was thrust through it and took her ticket.
"Mind you don't fall--no good wasting the lights until they come--if
ever they does come," exhorted and explained a voice out of the
darkness; for, after all, it was not a curtain, but just darkness.
At first Jenny could see nothing. Then, little by little, it seemed as
though different objects crept forward, one by one, like wild animals
from their lair.
Those white patches, the hands of two white-gloved men, holding sheaves
of programmes--she realised one between her own fingers--whispering
together.
There was the platform, the great piano sprawling over it; and in front
of this, rows and rows and rows--and rows upon rows--of empty seats.
She looked behind her--they had argued long over the question of places
for herself and his mother. "The very best," that's what Ben had said;
but they fought against this, fought and conquered, for the best seats
meant money. "What's a seat more or less, I'd like to know?"
"Money, all money." Old Mrs. Cohen had been firm upon this point.
Still, there were a great many seats yet further back--and all empty: a
little raised, seeming to push themselves forward with the staring
vacuity of an idiot: more seats overhead in a curving balcony, rising
above each other as though proud of their emptiness. It would have been
impossible to believe that mere vacant places could wear so sinister,
as well as foolish, an aspect. An idiot, but a cruel idiot, too: the
whole thing one cruel idiot, of the sort that likes to pull legs from
flies.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account