"Of course, playing Beethoven--playing him as you played him the other
night. Grand-magnificent!" put in the first man realising the
weariness, the drop to blank indifference in the musician's face. "The
'Hammerclavier' for instance----"
It was magical.--"Oh, yes, yes--that--that!" Ben's eyes widened, his
face glowed. He hummed a bar or so. "Was there ever anything like it?
My God! was there ever anything like it!"
Jenny, who had the key, squeezed past them at this, and ran through the
kitchen to the scullery, where she filled the kettle and put it upon
the gas-ring to boil; looked round her for a moment, with quick,
darting eyes--like a small wild animal at bay in a strange place--then
drew a bucketful of water, turned up her sleeves, the skirt of her new
black frock, tied on an old hessian apron of Mrs. Cohen's, with a
savage jerk of the strings, and dropping upon her knees, started to
scrub the floor, the rough stone floor.
"Men!--trapsin' in an' out, muckin' up a place!"
She could hear the murmur of men's voices in the kitchen, and through
it that "trapsin'" of other men struggling with a long coffin on the
steep narrow stairs.
On and on it went--the agonised remembrance of all that banging,
trampling; the swish of her own scrubbing-brush; the voices round the
table where old Mrs. Cohen had stood ironing for hours and hours upon
end.
Then the door into the scullery was opened. For a moment or so she kept
her head obstinately lowered, determined that she _would_ not look up.
Then, feeling her own unkindness, she raised it and smiled upon Ben,
who stood there, flushed, glowing, and yet too shame-faced to
speak--smiled involuntarily, as one must smile at a child.
"Well?"
"That--that--music stuff--I suppose it's burnt?" he began, fidgeting
from one foot to another, his head bent, ducking sideways, his shoulder
to his ear.
Her glance enwrapped him--smiling, loving, bitter-sweet. Things were
not going to be as she had thought; none of that going out regularly to
work, coming home to tea like other men; none of that safe sameness of
life. At the back of her calm was a fierce battle; then she rose to her
feet, wiped her hands upon her apron, stooped to the lowest shelf of
the cupboard, and drew out a pile of music.
"There you are, my dear. I didn't not burn it, a'cause Well, I suppose
as I sorter knowed all the time as you'd be wantin' it."
Children! Well, one knew where one was with children--real children.
But men, that was a different pair of shoes altogether--something you
could never be sure of--unless you remembered, always remembered, to
treat them as though they were grown-up, think of them as children.
"Now you taeke that an' get along back to yer friends an' yer playin',
and let me get on with my work. It'll be dark an' tea-time on us afore
ever I've time ter so much as turn round."
Public-domain text, read in full here on John Shaqi.
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