And Ethel said, "Well then, he didn't. They aren't. He burnt them. _We_
burnt them.... We could, at least, get rid of _them_!"
Then she threw it at her. She had been Hippisley's mistress for three
years.
When Lena asked for proofs of the incredible assertion she had _her_
letters to show.
Oh, it was her moment. She must have been looking out for it, saving up
for it, all those years; gloating over her exquisite secret, her return
for all the slighting and ignoring. That was what had made her
poisonous, the fact that Lena hadn't reckoned with her, hadn't thought
her dangerous, hadn't been afraid to leave Hippisley with her, the
rich, arrogant contempt in her assumption that Ethel would "do" and her
comfortable confidences. It made her amorous and malignant. It
stimulated her to the attempt.
I think she must have hated Lena more vehemently than she loved
Hippisley. She couldn't, _then_, have had much reliance on her power to
capture; but her hatred was a perpetual suggestion.
Supposing--supposing she were to try and take him?
Then she had tried.
I daresay she hadn't much difficulty. Hippisley wasn't quite so fine
and fastidious as Lena thought him. I've no doubt he liked Ethel's
unwholesomeness, just as he had liked the touch of morbidity in Lena.
And the spying? That had been all part of the game; his and Ethel's.
_They_ played for safety, if you like. They had _had_ to throw Lena off
the scent. They used Sybil Fermor and Lady Hermione and Barbara Vining,
one after the other, as their _paravents_. Finally they had used Lena.
That was their cleverest stroke. It brought them a permanent security.
For, you see, Hippisley wasn't going to give up his free quarters, his
studio, the dinners and the motor car, if he could help it. Not for
Ethel. And Ethel knew it. They insured her, too.
Can't you see her, letting herself go in an ecstasy of revenge, winding
up with a hysterical youp? "You? You thought it was you? It was
me--_me_--ME.... You thought what we meant you to think."
Lena still comes and talks to me. To hear her you would suppose that
Lawson Young and Dickey Harper never existed, that her passion for
Norman Hippisley was the unique, solitary manifestation of her soul. It
certainly burnt with the intensest flame. It certainly consumed her.
What's left of her's all shrivelled, warped, as she writhed in her
fire.
Yesterday she said to me, "Roly, I'm _glad_ he's dead. Safe from her
clutches."
She'll cling for a little while to this last illusion: that he had been
reluctant; but I doubt if she really believes it now.
Public-domain text, read in full here on John Shaqi.
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