Hal had said that he was living in a lady's work-box. Dickie was
sensitive, and not at all stupid. His penetration was quite aware that
Burnham's remark was not applied to the harmonizing shades of the walls
between which he dwelt, nor to the soft, mellow pattern of his silky
Persian rugs, nor to his collections--heavens, _how_ he collected!--of
glowing Sevres china, of Second Empire miniatures, of quaint old
musical instruments with names that in themselves were a tender tinkle
of song, and of the shoes that had been worn by queens.
All these things were merely accessories: his soul making neat, tiny
gestures, shrugging its shoulders, pointing a toe. What Hal meant was
that Dickie dared not live dangerously.
"What am I to do?"
He raised wistful, light brown eyes to the picture which was the one
incongruous touch to the dainty perfection of his octagonal
sitting-room. He had bought it at a rummage sale; it was unsigned, and
the canvas, overcrowded with figures, had grown sombre and blurred; yet
queerly Dickie liked the suggestion of powerful, half-naked men; the
foreign quay-side street, with a slatternly woman silent against a
doorway, and the clumsy ship straining to swing out to a menacing sea
beyond.
All these things that he would never do: strip and carry bales on his
back; linger in strange doorways and love hotly an animal woman who was
unaccomplished and without grace and breeding; and then embark on an
evil-smelling hulk that would have no human sympathy with his human
ills.
He had done a little yachting, of course; with the Ansteys the year
before last.
His lips bent to a small ironical smile as he reflected on the
difference between "a little yachting" and the sinister fascination of
that ugly, uninspired painting....
Slowly he got up and went out; that is to say, he very precisely
selected the hat, gloves, coat, and silk muffler suitable to wear, and
as precisely put them on. Then he blew up the fire with an
old-fashioned pair of worked brass bellows; turned out the lamp; told
Mrs. Derrick--who would have died in his service every day from eight
to eight o'clock, but would not crook a finger for him a minute before
she entered the house nor five seconds after she left it--that he was
going for a walk and would certainly be back at a quarter to seven, but
probably before; and then went out.
For this was the natural way for Dickie Maybury to behave.
At twenty to seven he returned, with a sheaf of news-papers--raucous,
badly-printed papers with smudged lines and a sort of speckled film
over the illustrations, and startlingly intimate headlines to every
item of news.
Dickie was trying to get into touch with "life in the raw."
Public-domain text, read in full here on John Shaqi.
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