They did not leave town after their quiet, matter-of-fact wedding at
the registrar's. A journey, in Dickie's eyes, would have seemed too
blatant an interruption to his everyday existence, as though he were
tactlessly emphasising to his wife the necessity of a break and a
complete change; she might even think--and again "poor child!" that
events should have rubbed into such super-sensitiveness--that he was
slightly ashamed of his act, and was therefore hustling her and himself
out of sight. So they went straight home. And Mrs. Derrick said:
"Indeed, sir," when informed that her new mistress was the Ruth Oliver
who had recently been acquitted of the charge of murdering her husband;
she neither proffered a motherly bosom to Ruth, nor did she tender a
haughty resignation from Mr. Maybury's service; but said she hoped it
wouldn't be expected of her, under the new circumstances, to arrive
earlier, nor to leave later, because she couldn't do it. As for
Dickie's friends, most of them were of the country-house variety whom
he visited once a year; next autumn would show whether Ruth would be
included in those week and week-end invitations. Meanwhile, those few
dwelling in London marvelled in a detached sort of way at Dickie's
feat, liked Ruth, and pronounced it a shame that she should have been
accused. Hal Burnham, the indirect promoter of the match, had returned
to China.
Nobody was unkind; no word jarred; life was padded in dim brocade--Ruth
drew a long breath, and was at peace. She was perfectly happy, watching
Dickie. And Dickie was at play again, enjoying his collection and his
_objets d'art_, and even his daily habits, with the added appreciation
of a gambler who had staked, but miraculously, not lost them. Because,
after all, anything might have resulted from his tempestuous decision
at all costs to get into contact with naked actuality; all that _had_
resulted was the presence in his house of a slim, grave woman who
dressed her hair like a very skilful and not at all unconscious
Madonna; whose taste was as fastidious as his own, and whose radiantly
human smile had survived in vivid contrast to something quenched from
her voice and shadowed in her eyes. A woman who, with a "May I?" of
half-laughing reverence, discovered that she could slip on to her
exquisite feet one pair after another from his collection of the shoes
of dead queens--"It sounds like a ballade--Austin Dobson, I
think--except that they're not all powder-and-patch queens."
For she had an excellent feel of period--the texture of it, the fine
shades of language, the outlook; Dickie hated people who had a blunt
sense of period and in a jumbled fashion referred to old Venetian lace,
and the Early Spanish School, and Louise de la Valliere, and a play by
Wycherley indiscriminately as "historical."
Public-domain text, read in full here on John Shaqi.
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