"Look here, Seaton," I said, "you may think you're going to scare me
with a lot of stuff about voices and all that. But I'll just thank you
to clear out; and you may please yourself about pottering about all
night."
He made no answer; he was standing by the dressing-table looking across
his candle into the looking-glass; he turned and stared slowly round
the walls.
"Even this room's nothing more than a coffin. I suppose she told
you--'It's all exactly the same as when my brother William died'--trust
her for that! And good luck to him, say I. Look at that." He raised his
candle close to the little water-colour I have mentioned. "There's
hundreds of eyes like that in the house; and even if God does see you,
he takes precious good care you don't see Him. And it's just the same
with them. I tell you what, Withers, I'm getting sick of all this. I
shan't stand it much longer."
The house was silent within and without, and even in the yellowish
radiance of the candle a faint silver showed through the open window on
my blind. I slipped off the bedclothes, wide awake, and sat irresolute
on the bedside.
"I know you're only guying me," I said angrily, "but why is the house
full of--what you say? Why do you hear--what you _do_ hear? Tell me
that, you silly foal!"
Seaton sat down on a chair and rested his candlestick on his knee. He
blinked at me calmly. "She brings them," he said, with lifted eyebrows.
"Who? Your aunt?"
He nodded.
"How?"
"I told you," he answered pettishly. "She's in league. You don't know.
She as good as killed my mother; I know that. But it's not only her by
a long chalk. She just sucks you dry. I know. And that's what she'll do
for me; because I'm like her--like my mother, I mean. She simply hates
to see me alive. I wouldn't be like that old she-wolf for a million
pounds. And so"--he broke off, with a comprehensive wave of his
candlestick--"they're always here. Ah, my boy, wait till she's dead!
She'll hear something then, I can tell you. It's all very well now, but
wait till then! I wouldn't be in her shoes when she has to clear
out--for something. Don't you go and believe I care for ghosts, or
whatever you like to call them. We're all in the same box. We're all
under her thumb."
He was looking almost nonchalantly at the ceiling at the moment, when I
saw his face change, saw his eyes suddenly drop like shot birds and fix
themselves on the cranny of the door he had just left ajar. Even from
where I sat I could see his colour change; he went greenish. He
crouched without stirring, simply fixed. And I, scarcely daring to
breathe, sat with creeping skin, simply watching him. His hands
relaxed, and he gave a kind of sigh.
"Was that one?" I whispered, with a timid show of jauntiness. He looked
round, opened his mouth, and nodded. "What?" I said. He jerked his
thumb with meaningful eyes, and I knew that he meant that his aunt had
been there listening at our door cranny.
Public-domain text, read in full here on John Shaqi.
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