Authors, English -- 19th century -- Correspondence; Lamb, Charles, 1775-1834 -- Correspondence
Tell Mrs. Wordsworth her postscripts are always agreeable. They are
legible too. Your manual-graphy is terrible,--dark as Lycophron.
"Likelihood," for instance, is thus typified.... I should not wonder if
the constant making out of such paragraphs is the cause of that weakness
in Mrs. W.'s eyes, as she is tenderly pleased to express it. Dorothy, I
hear, has mounted spectacles; so you have deoculated two of your dearest
relations in life. Well, God bless you, and continue to give you power
to write with a finger of power upon our hearts what you fail to
impress, in corresponding lucidness, upon our outward eyesight!
Mary's love to all; she is quite well.
I am called off to do the deposits on Cotton Wool. But why do I relate
this to you, who want faculties to comprehend the great mystery of
deposits, of interest, of warehouse rent, and contingent fund? Adieu!
C. LAMB.
[1] Zapolya.
[2] Lamb alludes, of course, to Coleridge's opium habit.
LXI.
TO WORDSWORTH.
_April_ 26, 1816.
Dear W.,--I have just finished the pleasing task of correcting the
revise of the poems and letter. [1] I hope they will come out faultless.
One blunder I saw and shuddered at. The hallucinating rascal had printed
_battered_ for _battened_, this last not conveying any distinct sense to
his gaping soul. The Reader (as they call 'em) had discovered it, and
given it the marginal brand; but the substitutory _n_ had not yet
appeared. I accompanied his notice with a most pathetic address to the
printer not to neglect the correction. I know how such a blunder would
"batter at your peace." With regard to the works, the Letter I read with
unabated satisfaction. Such a thing was wanted, called for. The parallel
of Cotton with Burns I heartily approve, Iz. Walton hallows any page in
which his reverend name appears. "Duty archly bending to purposes of
general benevolence" is exquisite. The poems I endeavored not to
understand, but to read them with my eye alone; and I think I succeeded,
(Some people will do that when they come out, you'll say.) As if I were
to luxuriate to-morrow at some picture-gallery I was never at before,
and, going by to-day by chance, found the door open, and having but five
minutes to look about me, peeped in,--just such a _chastised_ peep I
took with my mind at the lines my luxuriating eye was coursing over
unrestrained, riot to anticipate another day's fuller satisfaction.
Coleridge is printing "Christabel," by Lord Byron's recommendation to
Murray, with what he calls a vision, "Kubla Khan," which said vision he
repeats so enchantingly that it irradiates and brings heaven and elysian
bowers into my parlor while he sings or says it; but there is an
observation, "Never tell thy dreams," and I am almost afraid that "Kubla
Khan" is an owl that won't bear daylight. I fear lest it should be
discovered, by the lantern of typography and clear reducting to letters,
no better than nonsense or no sense. When I was young, I used to chant
Public-domain text, read in full here on John Shaqi.
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