Authors, English -- 19th century -- Correspondence; Lamb, Charles, 1775-1834 -- Correspondence
humbly hoped I might now put in a word to some advantage, seeing that it
was my own trade in a manner. But I was stopped by a round assertion
that no good poetry had appeared since Dr. Johnson's time. It seems the
Doctor had suppressed many hopeful geniuses that way by the severity of
his critical strictures in his "Lives of the Poets." I here ventured to
question the fact, and was beginning to appeal to _names_; but I was
assured "it was certainly the case." Then we discussed Miss More's book
on education, which I had never read. It seems Dr. Gregory, another of
Miss Bengey's friends, has found fault with one of Miss More's
metaphors. Miss More has been at some pains to vindicate herself,--in
the opinion of Miss Bengey, not without success. It seems the Doctor is
invariably against the use of broken or mixed metaphor, which he
reprobates against the authority of Shakspeare himself. We next
discussed the question whether Pope was a poet. I find Dr. Gregory is of
opinion he was not, though Miss Seward does not at all concur with him
in this. We then sat upon the comparative merits of the ten translations
of "Pizarro," and Miss Bengey, or Benje, advised Mary to take two of
them home; she thought it might afford her some pleasure to compare them
_verbatim_; which we declined. It being now nine o'clock, wine and
macaroons were again served round, and we parted, with a promise to go
again next week, and meet the Miss Porters, who, it seems, have heard
much of Mr. Coleridge, and wish to meet _us_, because we are _his_
friends. I have been preparing for the occasion. I crowd cotton in my
ears. I read all the reviews and magazines of the past month against the
dreadful meeting, and I hope by these means to cut a tolerable
second-rate figure.
Pray let us have no more complaints about shadows. We are in a fair way,
_through you_, to surfeit sick upon them.
Our loves and respects to your host and hostess. Our dearest love to
Coleridge.
Take no thought about your proof-sheets; they shall be done as if
Woodfall himself did them. Pray send us word of Mrs. Coleridge and
little David Hartley, your little reality.
Farewell, dear Substance. Take no umbrage at anything I have written.
C. LAMB, _Umbra_.
[1] Miss Elizabeth Benger. See "Dictionary of Nationai Biography,"
iv. 221.
XXXIV.
TO WORDSWORTH.
_January_, 1801.
Thanks for your letter and present. I had already borrowed your second
volume. [1] What pleases one most is "The Song of Lucy.". _Simon's sickly
Daughter_, in "The Sexton," made me _cry_. Next to these are the
description of these continuous echoes in the story of "Joanna's Laugh,"
where the mountains and all the scenery absolutely seem alive; and that
fine Shakspearian character of the "happy man" in the "Brothers,"--
"That creeps about the fields,
Following his fancies by the hour, to bring
Tears down his cheek, or solitary smiles
Into his face, until the setting sun
Write Fool upon his forehead!"
Public-domain text, read in full here on John Shaqi.
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