The Best of the World's Classics, Restricted to Prose, Vol. IV (of X)—Great Britain and Ireland II
General
The Best of the World's Classics, Restricted to Prose, Vol. IV (of X)—Great Britain and Ireland II
Literature -- Collections
Zenobia would have ill deserved her reputation, had she indolently
permitted the Emperor of the West to approach within a hundred miles
of her capital. The fate of the East was decided in two great battles,
so similar in almost every circumstance that we can scarcely
distinguish them from each other, except by observing that the first
was fought near Antioch and the second near Emesa. In both the Queen
of Palmyra animated the armies by her presence, and devolved the
execution of her orders on Zabdas, who had already signalized his
military talents by the conquest of Egypt. The numerous forces of
Zenobia consisted for the most part of light archers, and of heavy
cavalry clothed in complete steel. The Moorish and Illyrian horse of
Aurelian were unable to sustain the ponderous charge of their
antagonists. They fled in real or affected disorder, engaged the
Palmyrenians in a laborious pursuit, harassed them by a desultory
combat, and at length discomfited this impenetrable but unwieldy body
of cavalry. The light infantry, in the mean time, when they had
exhausted their quivers, remaining without protection against a closer
onset, exposed their naked sides to the swords of the legions.
Aurelian had chosen these veteran troops, who were usually stationed
on the Upper Danube, and whose valor had been severely tried in the
Alemannic war. After the defeat of Emesa, Zenobia found it impossible
to collect a third army. As far as the frontier of Egypt, the nations
subject to her empire had joined the standard of the conqueror, who
detached Probus, the bravest of his generals, to possess himself of
the Egyptian provinces. Palmyra was the last resource of the widow of
Odenathus. She retired within the walls of her capital, made every
preparation for a vigorous resistance, and declared, with the
intrepidity of a heroine, that the last moment of her reign and of her
life should be the same.
Public-domain text, read in full here on John Shaqi.
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