The Best of the World's Classics, Restricted to Prose, Vol. IV (of X)—Great Britain and Ireland II
General
The Best of the World's Classics, Restricted to Prose, Vol. IV (of X)—Great Britain and Ireland II
Literature -- Collections
were the ravages of the Tiber under a firm and active government, what
could oppose, or who can enumerate, the injuries of the city after the
fall of the Western Empire? A remedy was at length produced by the
evil itself: the accumulation of rubbish and the earth that has been
washed down from the hills is supposed to have elevated the plain of
Rome fourteen or fifteen feet perhaps above the ancient level: and the
modern city is less accessible to the attacks of the river.
II. The crowd of writers of every nation who impute the destruction of
the Roman monuments to the Goths and the Christians, have neglected to
inquire how far they were animated by a hostile principle, and how far
they possest the means and the leisure to satiate their enmity. In the
preceding volumes of this history I have described the triumph of
barbarism and religion; and I can only resume in a few words their
real or imaginary connection with the ruin of ancient Rome. Our fancy
may create or adopt a pleasing romance: that the Goths and Vandals
sallied from Scandinavia, ardent to avenge the flight of Odin, to
break the chains and to chastise the oppressors of mankind; that they
wished to burn the records of classic literature, and to found their
national architecture on the broken members of the Tuscan and
Corinthian orders. But in simple truth, the Northern conquerors were
neither sufficiently savage nor sufficiently refined to entertain such
aspiring ideas of destruction and revenge. The shepherds of Scythia
and Germany had been educated in the armies of the empire, whose
discipline they acquired and whose weakness they invaded; with the
familiar use of the Latin tongue, they had learned to reverence the
name and titles of Rome; and tho incapable of emulating, they were
more inclined to admire than to abolish the arts and studies of a
brighter period.
Public-domain text, read in full here on John Shaqi.
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