The Best of the World's Classics, Restricted to Prose, Vol. IX (of X) - America - I
General
The Best of the World's Classics, Restricted to Prose, Vol. IX (of X) - America - I
Literature -- Collections
No college ever offered him a diploma, or a professor's chair; no
academy made him its corresponding secretary, its discoverer, or even
its member. Perhaps these learned bodies feared the satire of his
presence. Yet so much knowledge of Nature's secret and genius few
others possest, none in a more large and religious synthesis. For not
a particle of respect had he to the opinions of any man or body of
men, but homage solely to the truth itself; and as he discovered
everywhere among doctors some leaning of courtesy, it discredited
them. He grew to be revered and admired by his townsmen, who had at
first known him only as an oddity. The farmers who employed him as a
surveyor soon discovered his rare accuracy and skill, his knowledge of
their lands, of trees, of birds, of Indian remains, and the like,
which enabled him to tell every farmer more than he knew before of his
own farm; so that he began to feel as if Mr. Thoreau had better rights
in his land than he. They felt, too, the superiority of character
which addrest all men with a native authority.
His virtues, of course, sometimes ran into extremes. It was easy to
trace to the inexorable demand on all for exact truth that austerity
which made this willing hermit more solitary even than he wished.
Himself of a perfect probity, he required not less of others. He had a
disgust for crime, and no worldly success could cover it. He detected
paltering as readily in dignified and prosperous persons as in
beggars, and with equal scorn. Such dangerous frankness was in his
dealing that his admirers called him "that terrible Thoreau," as if he
spoke when silent, and was still present when he had departed. I think
the severity of his ideal interfered to deprive him of a healthy
sufficiency of human society.
The habit of a realist to find things the reverse of their appearance
inclined him to put every statement in a paradox. A certain habit of
antagonism defaced his earlier writings--a trick of rhetoric not quite
outgrown in his later, of substituting for the obvious word and
thought its diametrical opposite. He praised wild mountains and winter
forests for their domestic air, in snow and ice he would find
sultriness, and commended the wilderness for resembling Rome and
Paris. "It was so dry that you might call it wet."
Public-domain text, read in full here on John Shaqi.
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