I am very far from meaning that our whole time spent with books is to be given to study. Far from it. I put the poetic and emotional side of literature as the most needed for daily use. I take the books that seek to rouse the imagination, to stir up feeling, touch the heart; the books of art, of fancy, of ideals, such as reflect the delight and aroma of life. And here how does the trivial, provided it is the new, that which stares at us in the advertising columns of the day, crowd out the immortal poetry and pathos of the human race, vitiating our taste for those exquisite pieces which are a household word, and weakening our mental relish for the eternal works of genius! Old Homer is the very fountain-head of pure poetic enjoyment, of all that is spontaneous, simple, native, and dignified in life. He takes us into the ambrosial world of heroes, of human vigor, of purity, of grace. Now Homer is one of the few poets the life of whom can be fairly preserved in a translation. Most men and women can say that they have read Homer, just as most of us can say that we have studied Johnson's Dictionary. But how few of us take him up, time after time, with fresh delight! How few have even read the entire "Iliad" and "Odyssey" through! Whether in the resounding lines of the old Greek, as fresh and ever-stirring as the waves that tumble on the seashore, filling the soul with satisfying silent wonder at its restless unison; whether in the quaint lines of Chapman, or the clarion couplets of Pope, or the closer versions of Cowper, Lord Derby, of Philip Worsley, or even in the new prose version of the "Odyssey," Homer is always fresh and rich. And yet how seldom does one find a friend spellbound over the Greek Bible of antiquity, whilst they wade through torrents of magazine quotations from a petty versifier of to-day, and in an idle vacation will graze, as contentedly as cattle in a fresh meadow, through the chopped straw of a circulating library. A generation which will listen to "Pinafore" for three hundred nights, and will read M. Zola's seventeenth romance, can no more read Homer than it could read a cuneiform inscription. It will read about Homer just as it will read about a cuneiform inscription, and will crowd to see a few pots which probably came from the neighborhood of Troy. But to Homer and the primeval type of heroic man in his beauty, and his simpleness, and joyousness, the cultured generation is really dead, as completely as some spoiled beauty of the ballroom is dead to the bloom of the heather or the waving of the daffodils in a glade.