The Best of the World's Classics, Restricted to Prose, Vol. VI (of X)—Great Britain and Ireland IV
General
The Best of the World's Classics, Restricted to Prose, Vol. VI (of X)—Great Britain and Ireland IV
Literature -- Collections
These boys congregated every autumn about a certain easterly
fisher-village, where they tasted in a high degree the glory of
existence. The place was created seemingly on purpose for the
diversion of young gentlemen. A street or two of houses, mostly red
and many of them tiled; a number of fine trees clustered about the
manse and the kirkyard, and turning the chief street into a shady
alley; many little gardens more than usually bright with flowers; nets
a-drying, and fisher-wives scolding in the backward parts; a smell of
fish, a genial smell of seaweed; whiffs of blowing sand at the
street-corners; shops with golf-balls and bottled lollipops; another
shop with penny pickwicks (that remarkable cigar) and the London
_Journal_, dear to me for its startling pictures, and a few novels,
dear for their suggestive names: such, as well as memory serves me,
were the ingredients of the town. These, you are to conceive, posted
on a split between two sandy bays, and sparsely flanked with
villas--enough for the boys to lodge in with their subsidiary parents,
not enough (not yet enough) to cocknify the scene: a haven in the
rocks in front: in front of that, a file of gray islets: to the left,
endless links and sand wreaths, a wilderness of hiding-holes, alive
with popping rabbits and soaring gulls: to the right, a range of
seaward crags, one rugged brow beyond another; the ruins of a mighty
and ancient fortress on the brink of one; coves between--now charmed
into sunshine quiet, now whistling with wind and clamorous with
bursting surges; the dens and sheltered hollows redolent of thyme and
southernwood, the air at the cliff's edge brisk and clean and pungent
of the sea--in front of all, the Bass Rock, tilted seaward.
[Footnote 65: From "Across the Plains With Other Memories and Essays."
Copyright, 1892, by Charles Scribner's Sons.]
Public-domain text, read in full here on John Shaqi.
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