The Best of the World's Classics, Restricted to Prose, Vol. VII (of X)—Continental Europe I
History
The Best of the World's Classics, Restricted to Prose, Vol. VII (of X)—Continental Europe I
Authors -- Biography; Literature -- Collections
Indeed madame, it is not. "It is Mademoiselle de Retz, then." No, nor she
either; you are extremely provincial. "Lord bless me," say you, "what
stupid wretches we are! it is Mademoiselle de Colbert all the while." Nay,
now you are still further from the mark. "Why, then, it must certainly be
Mademoiselle de Crequy." You have it not yet. Well, I find I must tell you
at last. He is to be married next Sunday at the Louvre, with the King's
leave, to Mademoiselle--Mademoiselle de--Mademoiselle--guess, pray guess
her name; he is to be married to Mademoiselle, the great Mademoiselle;
Mademoiselle, daughter of the late Monsieur; Mademoiselle, granddaughter of
Henry IV; Mademoiselle d'Eu, Mademoiselle de Dombes, Mademoiselle de
Montpensier, Mademoiselle d'Orleans, Mademoiselle, the King's
cousin-german--Mademoiselle, destined to the throne--Mademoiselle, the only
match in France that was worthy of Monsieur.
What glorious matter for talk! If you should burst forth like a
bedlamite, say we have told you a lie, that it is false, that we are
making a jest of you, and that a pretty jest it is, without wit or
invention; in short, if you abuse us, we shall think you are quite in
the right; for we have done just the same things ourselves. Farewell,
you will find by the letters you receive this post whether we tell you
truth or not.
II
AN IMPOSING FUNERAL DESCRIBED[31]
I must return to narration, it is a folly I can never resist. Prepare,
therefore, for a description. I was yesterday at a service performed
in honor of the Chancellor Segnier at the Oratory. Painting,
sculpture, music, rhetoric--in a word, the four liberal arts--were at
the expense of it. Nothing could exceed the beauty of the decorations;
they were finely imagined, and designed by Le Brun. The mausoleum
reached to the top of the dome, adorned with a thousand lamps, and a
variety of figures characteristic of him in whose honor it was
erected. Beneath were four figures of Death, bearing the marks of his
several dignities, as having taken away his honors with his life. One
of them held his helmet, another his ducal coronet, another the
ensigns of his order, another his chancellor's mace. The four sister
arts, painting, music, eloquence and sculpture, were represented in
deep distress, bewailing the loss of their protector. The first
representation was supported by the four virtues, fortitude,
temperance, justice, and religion. Above these, four angels, or genii,
received the soul of the deceased, and seemed preening their purple
wings to bear their precious charge to heaven. The mausoleum was
adorned with a variety of little seraphs who supported an illuminated
shrine, which was fixt to the top of the cupola. Nothing so
magnificent or so well imagined was ever seen; it is Le Brun's
masterpiece. The whole church was adorned with pictures, devices, and
emblems, which all bore some relation to the life, or office of the
chancellor; and some of his noblest actions were represented in
painting.
Public-domain text, read in full here on John Shaqi.
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