No wonder that a year or two of bushranging spoiled them for civilization. Tho not a very valuable member of society, and tho a thorn in the side of princes and rulers, the _coureur de bois_ had his uses, at least from an artistic point of view; and his strange figure, sometimes brutally savage, but oftener marked with the lines of a daredevil courage, and a reckless, thoughtless gaiety, will always be joined to the memories of that grand world of woods which the nineteenth century is fast civilizing out of existence. At least, he is picturesque, and with his redskin companion serves to animate forest scenery. Perhaps he could sometimes feel, without knowing that he felt them, the charms of the savage nature that had adopted him. Rude as he was, her voice may not always have been meaningless for one who knew her haunts so well; deep recesses where, veiled in foliage, some wild shy rivulet steals with timid music through breathless caves of verdure; gulfs where feathered crags rise like castle walls, where the noonday sun pierces with keen rays athwart the torrent, and the mossed arms of fallen pines cast wavering shadows on the illumined foam; pools of liquid crystal turned emerald in the reflected green of impending woods; rocks on whose rugged front the gleam of sunlit waters dances in quivering light; ancient trees hurled headlong by the storm to dam the raging stream with their forlorn and savage ruin; or the stern depths of immemorial forests, dim and silent as a cavern, columned with innumerable trunks, each like an Atlas upholding its world of leaves, and sweating perpetual moisture down its dark and channelled rind; some strong in youth, some grisly with decrepit age, nightmares of strange distortion, gnarled and knotted with wens and goitres; roots intertwined beneath like serpents petrified in an agony of contorted strife; green and glistening mosses carpeting the rough ground, mantling the rocks, turning pulpy stumps to mounds of verdure, and swathing fallen trunks as, bent in the impotence of rottenness, they lie outstretched over knoll and hollow, like moldering reptiles of the primeval world, while around, and on and through them, springs the young growth that fattens on their decay--the forest devouring its own dead. Or, to turn from its funereal shade to the light and life of the open woodland, the sheen of sparkling lakes, and mountains basking in the glory of the summer noon, flecked by the shadows of passing clouds that sail on snowy wings across the azure. Yet it would be false coloring to paint the half-savage _coureur de bois_ as a romantic lover of nature. He liked the woods because they emancipated him from restraint. He liked the lounging ease of the camp-fire, and the license of Indian villages. His life has a dark and ugly side. GEORGE WILLIAM CURTIS