The Best of the World's Classics, Restricted to Prose, Vol. X (of X) - America - II, Index
General
The Best of the World's Classics, Restricted to Prose, Vol. X (of X) - America - II, Index
Literature -- Collections
To us, looking back at him, he gradually becomes a singularly
interesting and even picturesque figure. He is, in more senses than
one, in language, in turn of thought, in style of mind, in the
direction of his activity, the first of the moderns. He is the first
literary man who was also a man of the world, as we understand the
term. He succeeded Ben Jonson as the acknowledged dictator of wit and
criticism, as Dr. Johnson, after nearly the same interval, succeeded
him. All ages are, in some sense, ages of transition; but there are
times when the transition is more marked, more rapid; and it is,
perhaps, an ill fortune for a man of letters to arrive at maturity
during such a period, still more to represent in himself the change
that is going on, and to be an efficient cause in bringing it about.
Unless, like Goethe, he is of a singularly uncontemporaneous nature,
capable of being _tutta in se romita_, and of running parallel with
his time rather than being sucked into its current, he will be
thwarted in that harmonious development of native force which has so
much to do with its steady and successful application. Dryden
suffered, no doubt, in this way. Tho in creed he seems to have drifted
backward in an eddy of the general current; yet of the intellectual
movement of the time, so far certainly as literature shared in it, he
could say, with AEneas, not only that he saw, but that himself was a
great part of it.
That movement was, on the whole, a downward one, from faith to scepticism,
from enthusiasm to cynicism, from the imagination to the understanding. It
was in a direction altogether away from those springs of imagination and
faith at which they of the last age had slaked the thirst or renewed the
vigor of their souls. Dryden himself recognized that indefinable and
gregarious influence which we call nowadays the spirit of the age, when he
said that "every age has a kind of universal genius." He had also a just
notion of that in which he lived; for he remarks, incidentally, that "all
knowing ages are naturally sceptic and not at all bigoted, which, if I am
not much deceived, is the proper character of our own." It may be conceived
that he was even painfully half-aware of having fallen upon a time
incapable, not merely of a great poet, but perhaps of any poet at all; for
nothing is so sensitive to the chill of a skeptical atmosphere as that
enthusiasm which, if it be not genius, is at least the beautiful illusion,
that saves it from the baffling quibbles of self-consciousness. Thrice
unhappy he who, born to see things as they might be, is schooled by
circumstances to see them as people say they are--to read God in a prose
translation. Such was Dryden's lot, and such, for a good part of his days,
it was by his own choice. He who was of a stature to snatch the torch of
life that flashes from lifted hand to hand along the generations, over the
heads of inferior men, chose rather to be a link-boy to the stews....
Public-domain text, read in full here on John Shaqi.
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