most beloved of all his concubines--the artist while so engaged fell in love with her; upon which, Alexander, perceiving this to be the ease, made him a present of her: thus showing himself, tho a great king in courage, a still greater one in self-command--this action redounding no less to his honor than any of his victories. Superior to all the statues not only of Praxiteles,[97] but of any other artist that ever existed, is his Cnidian Venus; for the inspection of which, many persons before now have purposely undertaken a voyage to Cnidos. The artist made two statues of the goddess, and offered them both for sale: one of them was represented with drapery, and for this reason was preferred by the people of Cos, who had the choice; the second was offered them at the same price, but on the grounds of propriety and modesty they thought fit to choose the other. Upon this, the Cnidians purchased the rejected statue, and immensely superior has it always been held in general estimation. At a later period, King Nicomedes wished to purchase this statue of the Cnidians, and made them an offer to pay off the whole of their public debt, which was very large. They preferred, however, to submit to any extremity rather than part with it; and with good reason, for by this statue Praxiteles has perpetuated the glory of Cnidos. The little temple in which it is placed is open on all sides, so that the beauties of the statue admit of being seen from every point of view--an arrangement which was favored by the goddess herself, it is generally believed. Among all nations which the fame of the Olympian Jupiter has reached, Phidias[98] is looked upon, beyond all doubt, as the most famous of artists; but to let those who have never seen his works know how deservedly he is esteemed, we will take this opportunity of adducing a few slight proofs of the genius which he displayed. In doing this we shall not appeal to the beauty of his Olympian Jupiter, nor yet to the vast proportions of his Athenian Minerva, six-and-twenty cubits in height, and composed of ivory and gold: but it is to the shield of this last statue that we shall draw attention; upon the convex face of which he has chased a combat of the Amazons, while upon the concave side of it he has represented the battle between the gods and the giants. Upon the sandals, again, we see the wars of the Lapithae and Centaurs; so careful has he been to fill every smallest portion of his work with some proof or other of his artistic skill. FOOTNOTES: [Footnote 86: From the "Natural History." Translated by John Bostock and H. T. Riley.] [Footnote 87: A name applied to tribes living in Africa east of the desert of Sahara.] [Footnote 88: An Ionian city of Asia, distant seventy miles from Ephesus.] [Footnote 89: An interior town of Cilicia, in Asia Minor.] [Footnote 90: The home of this warlike people appears to have been Jutland.] [Footnote 91: The tyrant king of Syracuse, successor to Gelon.]