Nero, who was at that juncture sojourning at Antium,[119] did not return to the city till the fire approached that quarter of his house which connected the palace with the gardens of Maecenas;[120] nor could it, however, be prevented from devouring the house and palace, and everything around. But for the relief of the people, thus destitute, and driven from their dwellings, he opened the fields of Mars and the monumental edifices erected by Agrippa,[121] and even his own gardens. He likewise reared temporary houses for the reception of the forlorn multitude: and from Ostia and the neighboring cities were brought, up the river, household necessaries; and the price of grain was reduced to three sesterces the measure. All which proceedings, tho of a popular character, were thrown away, because a rumor had become universally current, "that the very time when the city was in flames, Nero, going on the stage of his private theater, sang 'The Destruction of Troy,' assimilating the present disaster to that catastrophe of ancient times." At length, on the sixth day, the conflagration was stayed at the foot of Esquilliae, by pulling down an immense quantity of buildings, so that an open space, and, as it were, void air, might check the raging element by breaking the continuity. But ere the consternation had subsided the fire broke out afresh, with no little violence, but in regions more spacious, and therefore with less destruction of human life: but more extensive havoc was made of the temples, and the porticoes dedicated to amusement. This conflagration, too was the subject of more censorious remark, as it arose in the AEmilian possessions of Tigellinus: and Nero seemed to aim at the glory of building a new city, and calling it by his own name: for, of the fourteen sections into which Rome is divided, four were still standing entire, three were leveled with the ground, and in the seven others there remained only here and there a few remnants of houses, shattered and half-consumed.