The Best of the World's Classics, Restricted to prose. Volume III (of X) - Great Britain and Ireland I
General
The Best of the World's Classics, Restricted to prose. Volume III (of X) - Great Britain and Ireland I
Literature -- Collections
While some have studied monuments, others have studiously declined
them, and some have been so vainly boisterous, that they durst not
acknowledge their graves; wherein Alaric seems most subtle, who had a
river turned to hide his bones at the bottom. Even Sylla, that thought
himself safe in his urn, could not prevent revenging tongues, and
stones thrown at his monument. Happy are they whom privacy makes
innocent, who deal so with men in this world, that they are not afraid
to meet them in the next; who, when they die, make no commotion among
the dead, and are not touched with that poetical taunt of Isaiah.
Pyramids, arches, obelisks, were but the irregularities of vainglory,
and wild enormities of ancient magnanimity. But the most magnanimous
resolution rests in the Christian religion, which trampleth upon
pride, and sits on the neck of ambition, humbly pursuing that
infallible perpetuity, unto which all others must diminish their
diameters, and be poorly seen in angles of contingency.
Pious spirits who passed their days in raptures of futurity, made
little more of this world, than the world that was before it, while
they lay obscure in the chaos of pre-ordination, and night of their
fore-beings. And if any have been so happy as truly to understand
Christian annihilation, ecstasies, exolution, liquefaction,
transformation, the kiss of the spouse, gustation of God, and
ingression into the divine shadow, they have already had an handsome
anticipation of heaven; the glory of the world is surely over, and the
earth is ashes unto them.
To subsist in lasting monuments, to live in their productions, to
exist in their names and predicament of chimeras, was large
satisfaction unto old expectations, and made one part of their
elysiums. But all this is nothing in the metaphysicks of true belief.
To live indeed, is to be again ourselves, which being not only a hope,
but an evidence in noble believers, 'tis all one to lie in St.
Innocent's churchyard, as in the sands of Egypt. Ready to be anything,
in the ecstasy of being ever, and as content with six foot as the
moles of Hadrianus.[74]
FOOTNOTES:
[Footnote 70: From the "Religio Medici."]
[Footnote 71: From Chapter V of "Urn Burial; or, a Discourse of the
Sepulchral Urns Lately Found in Norfolk."]
[Footnote 72: Cambyses III, king of Persia who conquered Egypt in 525
B.C.]
[Footnote 73: A Roman emperor whose epitaph was cut in Greek, Latin,
Hebrew, Egyptian and Arabic.]
[Footnote 74: Now the Castle of St. Angelo in Rome.]
JOHN MILTON
Born in 1608, died in 1674; visited Italy in 1638; began his
poetical writings in 1640; Latin Secretary to the
Commonwealth in 1649; became totally blind in 1652; spared
at the Restoration under the Indemnity Act; published
"Paradise Lost" in 1667.
I
ON HIS OWN LITERARY AMBITION[75]
Public-domain text, read in full here on John Shaqi.
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