The Best of the World's Classics, Vol. V (of X) - Great Britain and Ireland III
General
The Best of the World's Classics, Vol. V (of X) - Great Britain and Ireland III
Literature -- Collections
You then pass through ancient streets; they are very narrow and the
houses rather small, but are constructed on an admirable plan,
especially for the climate. The rooms are built round a court, or
sometimes two, according to the extent of the house. In the midst is a
fountain sometimes surrounded with a portico, supported on fluted
columns of white stucco; the floor is paved with mosaics sometimes
wrought in imitation of vine leaves, sometimes in quaint figures, and
more or less beautiful according to the rank of the inhabitant. There
were paintings on all, but most of them have been removed to decorate
the royal museums. Little winged figures and small ornaments of
exquisite elegance yet remain. There is an ideal life in the forms of
these paintings of an incomparable loveliness, tho most are evidently
the work of very inferior artists. It seems as if from the atmosphere
of mental beauty that surrounds them, every human being caught a
splendor not his own.
In one house you see how the bedrooms were managed: a small sofa was
built up, where the cushions were placed; two pictures, one
representing Diana and Endymion and the other Venus and Mars, decorate
the chamber; and a little niche which contains the statue of a
domestic god. The floor is composed of a rich mosaic of the rarest
marbles, agate, jasper and porphyry; it looks to the marble fountain
and the snow white columns, whose etablatures strew the floor of the
portico they supported. The houses have only one story, and the
apartments, tho not large, are very lofty. A great advantage results
from this, wholly unknown in our cities.
The public buildings, whose ruins are now forests as it were of white
fluted columns, and which then supported entablatures loaded with
sculpture, were seen on all sides over the roofs of the houses. This
was the excellence of the ancients: their private expenses were
comparatively moderate; the dwelling of one of the chief senators of
Pompeii is elegant indeed, and adorned with the most beautiful
specimens of art, but small. But their public buildings are everywhere
marked by the bold and grand designs of an unsparing magnificence. In
the little town of Pompeii (it contained about twenty thousand
inhabitants) it is wonderful to see the number and grandeur of their
public buildings.
Another advantage, too, is that in the present case the glorious
scenery around is not shut out, and that unlike the inhabitants of the
Cimmerian ravines of modern cities, the ancient Pompeiian could
contemplate the clouds and the lamps of heaven; could see the moon
rise high behind Vesuvius, and the sun set in the sea, tremulous with
an atmosphere of golden vapor, below Inarnine and Misenum.
Public-domain text, read in full here on John Shaqi.
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