In saying the elementals have "no higher principles," and "When they die
they perish like animals," Paracelsus does not stop to explain that the
higher principles in them are absolutely latent, as in plants; and that
animals in "perishing" are not destroyed, but the psychical or soul-part
of the animal passes, by the processes of evolution, into higher forms.
"Each species moves only in the element to which it belongs, and neither
of them can go out of its appropriate element, which is to them as the
air is to us, or the water to fishes; and none of them can live in the
element belonging to another class. To each elemental being the element
in which it lives is transparent, invisible, and respirable, as the
atmosphere is to ourselves."
"As far as the personalities of the elementals are concerned, it may be
said that those belonging to the element of water resemble human beings
of either sex; those of the air are greater and stronger; the
salamanders are long, lean, and dry; the pigmies (gnomes) are the length
of about two spans, but they may extend or elongate their forms until
they appear like giants.
"Nymphs (undines, or naiads) have their residences and palaces in the
element of water; sylphs and salamanders have no fixed dwellings.
Salamanders have been seen in the shape of fiery balls, or tongues of
fire running over the fields or appearing in houses;" or at psychical
seances as starry lights, darting and dancing about.
"There are certain localities where large numbers of elementals live
together, and it has occurred that a man has been admitted into their
communities and lived with them for a while, and that they have become
visible and tangible to him."
Poets, in their moments of exaltation, have an unconscious soul-vision
before which nature's invisible worlds lie like an open volume, and they
translate her secrets into language of mystic meanings whose harmonies
are re-interpreted by sympathetic minds. The poet Hogg, in his _Rapture
of Kilmeny_, would seem to have had a vision of some such visit as that
described above, into the fairyland of pure, peaceful _elementals_.
"Bonny Kilmeny gaed up the glen"--and is represented as having fallen
asleep. During this sleep she is transported to "a far countrye," whose
gentle, lovely inhabitants receive her with delight. The following
lines reveal the poet's power of inner vision, as will be seen by the
words italicized. They are in wonderful accord with the descriptions
given by Paracelsus from the actual observation of a _conscious seer_:
"They lifted Kilmeny, they led her away,
And she walk'd _in the light of a sunless day_;
The sky was _a dome of crystal bright_,
The _fountain of vision and fountain of light_;
The emerald fields _were of dazzling glow_,
And the _flowers of everlasting blow_."
Public-domain text, read in full here on John Shaqi.
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