Swifter and swifter fly her decrepit legs; the young, vigorous hands of
the drummer can hardly follow her. But she does not think of catching
the measure of his music; she rushes, she flies forward. Staring with
her expressionless, motionless orbs at something before her, at
something that is not visible to our mortal eyes, she hardly glances at
her worshippers; then her look becomes full of fire, and whoever she
looks at feels burned through to the marrow of his bones. At every
glance she throws a few grains of rice. The small handful seems
inexhaustible, as if the wrinkled palm contained the bottomless bag of
Prince Fortunatus.
Suddenly she stops as if thunderstruck.
The mad race round the bonfire had lasted twelve minutes, but we looked
in vain for a trace of fatigue on the death-like face of the witch. She
stopped only for a moment, just the necessary time for the goddess to
release her. As soon as she felt free, by a single effort she jumped
over the fire and plunged into the deep tank by the portico. This time
she plunged only once, and whilst she stayed under the water the second
sister-goddess entered her body. The little boy in white produced
another dish, with a new piece of burning camphor, just in time for the
witch to take it up, and to rush again on her headlong way.
The colonel sat with his watch in his hand. During the second obsession
the witch ran, leaped, and raced for exactly fourteen minutes. After
this, she plunged twice in the tank, in honor of the second sister; and
with every new obsession the number of her plunges increased, till it
became six.
It was already an hour and a half since the race began. All this time
the witch never rested, stopping only for a few seconds, to disappear
under the water.
"She is a fiend, she cannot be a woman!" exclaimed the colonel, seeing
the head of the witch immersed for the sixth time in the water.
"Hang me if I know!" grumbled Mr. Y--, nervously pulling his beard. "The
only thing I know is that a grain of her cursed rice entered my throat,
and I can't get it out!"
"Hush, hush! Please, do be quiet!" implored Sham Rao. "By talking you
will spoil the whole business!"
I glanced at Narayan and lost myself in conjectures.
His features, which usually were so calm and serene, were quite altered
at this moment by a deep shadow of suffering. His lips trembled, and the
pupils of his eyes were dilated, as if by a dose of belladonna. His eyes
were lifted over the heads of the crowd, as if in his disgust he tried
not to see what was before him, and at the same time could not see it,
engaged in a deep reverie which carried him away from us and from the
whole performance.
"What is the matter with him?" was my thought, but I had no time to ask
him, because the witch was again in full swing, chasing her own shadow.
Public-domain text, read in full here on John Shaqi.
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