"I was very much interested in the results I obtained, although as none
of the photographs were identified I did not deem the experiment
completely successful. I was very anxious to induce Mr. B-- to devote
some months to an uninterrupted series of experiments, and asked him on
what terms I could secure his services. But he absolutely refused; he
said he did not like it, it made him unwell, made people speak ill of
him, and it did not matter what terms were offered, he would not
consent. He was an old man, he said, and he could not find out how these
things came; and, in short, neither scientific curiosity nor financial
consideration would induce him to consent to more than an occasional
sitting. I therefore dropped the matter, and for some years I
discontinued my experiments.
"I had a friend who often accompanied me to Mr. B--'s studio, where she
had been photographed both with and without shadow pictures appearing on
the background. We often promised each other that if either of us passed
over we would come back and be photographed by Mr. B-- if possible, in
order to prove the reality of spirit return. Shortly after this my
friend died. But it was not until nearly four years after her death, at
the request of a friend who was very anxious to know whether she could
communicate with those on the other side, that I went back to Mr. B--'s
studio.
"He had always been slightly clairvoyant and clairaudient. He told me
that a few days before I had written asking for the appointment, my
deceased friend had appeared in the studio and told him that I was
coming. This reminded me of her promise, and I said at once that I hoped
he would be able to photograph her. He said he didn't know; he was
rather frightened of her, for reasons into which I need not enter, but
if she came he would see what he could do. My friend and I sat together.
The first plate was exposed, nothing appeared in the background. When
the second plate was placed in the camera Mr. B-- nodded with a quick
look of recognition. We saw nothing. After he had exposed the second
plate and before he developed it he asked us to change seats. We did
this, and as he was exposing the third plate he said, 'I am told to ask
you to do this,' and then when he closed the shutter he said, 'it is
Mrs. M--.' On the fourth plate there appeared a picture of a woman whom
I had never seen before, and whom my friend had never seen, neither had
Mr. B--. When the plates came to be developed I found the second and
third plates contained unmistakable likenesses of my friend Mrs. M--.
These portraits were immediately recognized by my friend as unmistakable
likenesses of the deceased Mrs. M--. It will be objected that she had
frequently been photographed by the same photographer, and that he had
simply faked a photograph from one of his old negatives. I don't believe
that this is possible, for these portraits, although recognized
immediately by every one who knew her, including her nearest relative,
Public-domain text, read in full here on John Shaqi.
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