"Although, as I have said, I do not attach much importance to
photographs appearing of well-known men, I confess that I was rather
impressed by one of my most recent experiments. I received a message
from a medium in Sheffield, who is unknown to me, saying that Cecil
Rhodes, who had then been dead about nine months, had spoken to her
clairaudiently, and had told her to ask me to go to the photographer's,
and that he would come and be photographed. The medium was a stranger to
me, and I confess that I received the message with considerable
skepticism. However, when she came up to town I accompanied her to the
studio. She declared that she saw Cecil Rhodes, and that he spoke to
her, and that he was standing behind me when the plate was exposed. When
the plate came to be developed, although there was one well-defined
figure standing behind me and several other faces half visible in the
background, there was no portrait of Cecil Rhodes. I was not surprised,
and went away. A month afterwards I went to have another sitting with
the photographer. I chatted with him for a short time, and then he left
the room for a moment. When he came back he said to me: 'There is a
round-faced well set-up man here with a short moustache and a dimple in
his chin. Do you know him?' 'No,' I said, 'I don't know any such man.'
'Well, he seems to be very busy about you.' 'Well,' I said, 'if he comes
upstairs, we shall see what we can get.' 'I don't know,' said he. When I
was sitting, he said, 'There he is, and I see the letter R. Is it Robert
or Richard, do you think?' 'I don't know any Robert or Richard,' I said.
He took the picture. He then proceeded with the second plate, and said,
'That man is still here, and I see behind him a country road. I wonder
what that means.' He went into the dark room, and presently came out and
said, 'I see "road or roads." Do you know any one of that name?' 'Of
course,' I said, 'Cecil Rhodes.' 'Do you mean him as died in the
Transvaal lately?' said he. I said 'Yes.' 'Well,' he said, 'was he a man
like that?' 'Well, he had a moustache,' I said. And sure enough, when
the plate was developed, there was Cecil Rhodes looking fifteen years
younger than when he died.
"Some other plates were exposed. One was entirely blank, on two others
the mist was formed into a kind of clot of light, but no figure was
visible, the fifth had a portrait of an unknown man, and on the sixth,
when it came to be developed, there was the same portrait of Cecil
Rhodes that had appeared on the first, but without the white drapery
round the head.
Public-domain text, read in full here on John Shaqi.
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