The best short stories of 1915, and the yearbook of the American short story
General
The best short stories of 1915, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
All around him the world was full of soft color and light. Close by,
in the sun the corn-field was a sea of shimmering green, while the more
distant fields of grain were dark against the light ash of plowed land.
Above, the sun shone slanting from the blue of an early June sky. The
air, clean and clear, was already pervaded with the drowsy lassitude of
noon.
The boy looked listlessly out over the long rows of corn still to be
cultivated. Near at hand the young stalks seemed strong enough to win
in their struggle toward the sun, but the distant corn lay like a filmy
shadow of green on the black soil. Behind the cultivator, a flock of
blackbirds fed in the fresh-turned earth. The boy watched them with
half-shut eyes. When one of the birds had fed, it would hop upon a lump
of wet, black earth, and being satisfied that it could eat no more,
would skim in rapid, undulating flight to the row of willows in the next
pasture. On a fence-post, a meadow-lark filled the silence with a liquid
flow of music. As it laid back its head in an abandon of joy, the boy
noticed how the sun accentuated the vivid splash of black on its yellow
throat.
The meadow-lark flew away. The boy got up and climbed listlessly into
the cultivator seat. The tugs straightened and the horses walked again
into the corn. One of the team, however, a heavy, powerful bay, lagged
continually, at times almost stopping.
The cultivator slid sidewise, and the blades tore the corn out by the
roots. The boy jerked the reins, slapping them over the horse's back.
"Get along there, Jim!" he called. Jim pulled evenly for a moment, then
lagged again. In sudden violence of anger, the boy pulled cruelly at the
horse's mouth, cursing in low, abrupt sentences. The horse stopped, the
blades slipped, again tearing up a hill of corn. From sheer rage the boy
was silent, then he jumped from the cultivator, and gathering the slack
of the reins, hit the horse about the head with all his might. His face
was dry and white, his eyes blazing. As he continued to strike the
horse, he found expression.
"You damn, lazy brute, you! I'll show you who's running this job--you
or me!" His words came sharply, in gasps, between blows. Then he cursed
again; cursed the work and the horse. Fine lines of fatigue showed in
his face. At last he stopped. A slight color had come to his cheeks.
For a moment he watched the horse, which stood with muscles moving in
quivering ripples of pain and fear; then he walked soberly back and
climbed upon the cultivator seat. The horses moved on. They walked
evenly now, starting at any movement of the boy, who stared steadily
at the swiftly moving ground, two red spots still burning through the
tan of his cheeks.
They went once across the field. On the return, the boy stopped
impetuously by the road and jumping down from the seat walked to the
horse he had beaten. The horse quivered and shied toward its mate. The
boy stroked its neck.
"Whoa, Jim! Whoa, boy!" he repeated.
Public-domain text, read in full here on John Shaqi.
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