The best short stories of 1915, and the yearbook of the American short story
General
The best short stories of 1915, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
"No, she isn't pretty any more, Allison, yet once like you she chased
butterflies in the garden. And that portrait was painted the year before
she was married."
Why was it then that you turned away your eyes and the soft curve of
your cheek grew pink? Perhaps it is always so with the young girl at
the thought of love and marriage; but you are still a child.
"The butterfly has flown away, Allison, and you never even looked at
its golden wings," I reminded you, and you laughed and shrugged. "There
will be another," you said. Yes, there will always be more butterflies
in the garden, and there will always be more lovers in the world for
such as you while your sweet youth lasts, whether I live to woo you or
not. That thought saddens me. Yet should I not feel it enough to have
known and loved you? Suppose you had never been in the world, and I had
loved some commonplace pretty girl instead of little Allison, with eyes
like an autumn brook in the sun?
Oh, my dear, the time is long, and I grow weary with my make-believing.
I am a thousand miles away. A cold rain is falling. I could not bear it
were it not for your voice in my ears: "Fight a good fight. Come back
home soon, William." As soon, God pity me as I can. My country first,
even if it robs me of life's dearest treasure. Ah, that I had dared
before I left to speak the words in my heart, "Wait for me, sweetheart,
wait till I come home; for it will be no true home unless you make it
for me."
But I did not say it. The hour was not yet. Pray God it may come for us
both, for never will another know how to love you as I do, my Allison.
YOUR FAITHFUL WILLIAM.
March, '65.
In battle, on the march, there has been no time for my letters, my
sweetheart, and only in my dreams have I been able to fancy myself at
the window overlooking your garden. But now there is a lull for writing.
We feel that the end is drawing near. And so once more I can trust my
dream self back in Beechwood with you.
Last night I took you home from Uncle Alvin's. We walked slowly
under the moon. The air was cool. You wore your little brown hood.
You are taller now, little Allison. I lingered at the gate when I
said good night. You lingered, too, and for the first time I knew--I
cannot say how--that your soft childhood was unfolding its wings to
depart. Not that I dared even to linger over your hand, still less
to pull off the brown mitten and kiss the little hand curled soft and
warm within; but the eyes that you turned to me had a graver light.
Was it the sad news of the war, the death and tragedy about you?
Jolly Dick Burrows, Arthur and Henry, struck down, blotted out. These
are aging times, my sweetheart. Had you the consciousness of me as
anything nearer than your old friend Lucretia's brother? Some day
life will bring to you this thing that tears at my heart. Some day not
so far off now. Sometimes I wonder that I dare hope it will come to me.
WILLIAM.
April 10, '65.
Public-domain text, read in full here on John Shaqi.
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