The best short stories of 1915, and the yearbook of the American short story
General
The best short stories of 1915, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
In the shop where he found a job at last, the workmen feared him at
first; but, ultimately finding him a harmless giant, they more than once
hurled their sarcasms at his head. Of the many men and women employed
there, only one person had the distinction of getting fellowship from
old Zelig. That person was the Gentile watchman or janitor of the shop,
a little blond Pole with an open mouth and frightened eyes. And many
were the witticisms aimed at this uncouth pair. "The big one looks like
an elephant," the joker of the shop would say; "only he likes to be fed
on pennies instead of peanuts."
"Oi, oi, his nose would betray him," the "philosopher" of the shop
chimed in; and during the dinner hour he would expatiate thus: "You
see, money is his blood. He starves himself to have enough dollars to
go back to his home: the Pole told me all about it. And why should he
stay here? Freedom of religion means nothing to him, he never goes to
synagogue; and freedom of the press? Bah--he never even reads the
conservative Tageblatt!"
Old Zelig met such gibes with stoicism. Only rarely would he turn up
the whites of his eyes, as if in the act of ejaculation; but he would
soon contract his heavy brows into a scowl and emphasize the last with
a heavy thump of his sizzling iron.
When the frightful cry of the massacred Jews in Russia rang across
the Atlantic, and the Ghetto of Manhattan paraded one day through
the narrow streets draped in black, through the erstwhile clamorous
thoroughfares steeped in silence, stores and shops bolted, a wail of
anguish issuing from every door and window--the only one remaining
in his shop that day was old Zelig. His fellow-workmen did not call
upon him to join the procession. They felt the incongruity of "this
brute" in line with mourners in muffled tread. And the Gentile watchman
reported the next day that the moment the funeral dirge of the music
echoed from a distant street, Zelig snatched off the greasy cap he
always wore, and in confusion instantly put it on again. "All the rest
of the day," the Pole related with awe, "he looked wilder than ever,
and so thumped with his iron on the cloth that I feared the building
would come down."
But Zelig paid little heed to what was said about him. He dedicated his
existence to the saving of his earnings, and only feared that he might
be compelled to spend some of them. More than once his wife would be
appalled in the dark of night by the silhouette of old Zelig in
nightdress, sitting up in bed and counting a bundle of bank notes which
he always replaced under his pillow. She frequently upbraided him for
his niggardly nature, for his warding off all requests outside the
pittance for household expense. She pleaded, exhorted, wailed. He
invariably answered: "I haven't a cent by my soul." She pointed to the
bare walls, the broken furniture, their beggarly attire.
Public-domain text, read in full here on John Shaqi.
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