The best short stories of 1915, and the yearbook of the American short story
General
The best short stories of 1915, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
In the foyer at seven o'clock Sara Juke met Charley Chubb, and he slid
up quite frankly behind her and kissed her on the lips. At Sharkey's a
miss is as good as her kiss!
"You--you quit! You mustn't!"
She sprang back, quivering, her face cold-looking and blue; and he
regarded her with his mouth quirking.
"Huh! Hoity-toity, ain't you? Hoity-toity and white-faced and late, all
at once, ain't you? Say, them airs don't get across with me. Come on!
I'm hungry."
"I didn't mean to yell, Charley--only you scared me. I thought maybe it
was one of them fresh guys that hang round here; all of 'em look so
dopey and all. I--you know I never was strong for this place, Charley."
"Beginning to nag, are you?"
"No, no, Charley. No, no!"
They drew up at a small table.
"No fancy keeling act to-night, kiddo. I ain't taking out a hospital
ward, you know. Gad, I like you, though, when you're white-looking like
this! Why'd you dodge me at noon to-day and to-night after closing? New
guy? I won't stand for it, you know, you little white-faced Sweetness,
you!"
"I hadda go somewheres, Charley. I came near not coming to-night,
neither, Charley."
"What'll you eat?"
"I ain't hungry."
"Thirsty, eh?"
"No."
He regarded her over the rim of the smirchy bill of fare.
"What are you, then, you little white-faced, big-eyed devil?"
"Charley, I--I got something to--to tell you. I--"
"Bring me a lamb stew and a beer, light. What'll you have, little
white-face?"
"Some milk and--"
"She means with suds on, waiter."
"No--no; milk, I said--milk over toast. Milk toast--I gotta eat it. Why
don't you lemme talk, Charley? I gotta tell you."
He was suddenly sober.
"What's hurting you? One milk toast, waiter; tell them in the kitchen
the lady's teeth hurt her. What's up, Sweetness?" And he must lean
across the table and imprint a fresh kiss on her lips.
"Don't--don't--don't! For Gawd's sake, don't!" She covered her face with
her hands; and such a trembling seized her that they fell pitifully away
again and showed her features, each distorted, "You mustn't, Charley!
Mustn't do that again, not--not for three months--you--you mustn't."
He leaned across the table; his voice was like sleet--cold, thin,
cutting:
"What's the matter--going to quit?"
"No--no--no!"
"Got another guy you like better?"
"Oh! Oh!"
"A queenie can't quit me first and get away with it, kiddo. I may be a
soft-fingered sort of fellow, but a queenie can't quit me first and get
away with it. Ask 'em about me round here; they know me. If anybody in
this little duet is going to do the quitting act first it ain't going
to be you. What's the matter? Out with it!"
"Charley, it ain't that--I swear it ain't that!"
"What's hurting you, then?"
"I gotta tell you. We gotta go easy for a little while. We gotta quit
doing the rounds for a while till--only for a little while. Three months
he said would fix me. A grand old doc he was!
Public-domain text, read in full here on John Shaqi.
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