The best short stories of 1915, and the yearbook of the American short story
General
The best short stories of 1915, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
Literature has little enough to say of the heartaches and the heartburns
of the Sara Jukes and the Hattie Krakows and the Eddie Blaneys. Medical
science concedes them a hollow organ for keeping up the circulation. Yet
Mrs. Van Ness' heartbreak over the death of her Chinese terrier, Wang,
claims a first-page column in the morning edition; her heartburn--a
complication of midnight terrapin and the strain of her most recent rôle
of corespondent--obtains her a suite de luxe in a private sanitarium.
Vivisectionists believe the dog is less sensitive to pain than man;
so the social vivisectionists, in problem plays and best sellers, are
more concerned with the heartaches and heartburns of the classes. But
analysis would show that the sediment of salt in Sara Juke's and Mrs.
Van Ness' tears is equal.
Indeed, when Sara Juke stepped out of the street car on a golden Sunday
morning in October, her heart beat higher and more full of emotion than
Mrs. Van Ness could find at that breakfast hour, reclining on her fine
linen pillows, an electric massage and a four-dollar-an-hour masseuse
forcing her sluggish blood to flow.
Eddie Blaney gently helped Sara to alight, cupping the point of her
elbow in his hand; and they stood huddled for a moment by the roadway
while the car whizzed past, leaving them in the yellow and ocher,
saffron and crimson countryside.
"Gee! Gee-whiz!"
"See! I told you. And you not wanting to come when I called for you this
morning--you trying to dodge me and the swellest Indian summer Sunday on
the calendar!"
"Looka!"
"Wait! We ain't started yet, if you think this is swell."
"Oh! Let's go over in them woods. Let's." Her lips were apart and pink
crept into her cheeks, effacing the dark rims of pain beneath her eyes.
"Let's hurry."
"Sure; that's where we're going--right over in there, where the woods
look like they're on fire; but, gee, this ain't nothing to the country
places I know round here. This ain't nothing. Wait!"
The ardor of the inspired guide was his, and with each exclamation from
her the joy of his task doubled itself.
"If you think this is great, wait--just you wait. Gee, if you like this,
what would you have said to the farm? Wait till we get to the top of the
hill."
Fallen leaves, crisp as paper, crackled pleasantly under their feet; and
through the haze that is October's veil glowed a reddish sun, vague as
an opal. A footpath crawled like a serpent through the woods and they
followed it, kicking up the leaves before them, pausing, darting,
exclaiming.
"I--Honest, Mr. Blaney, I--"
"Eddie!"
"Eddie, I--I never did feel so--I never was so--so--Aw, I can't say it."
Tears sprang to her eyes.
"Sure, you never was. I never was, neither, before--before--"
"Before what?"
"Before I had to."
"Had to?"
"Yeh; both of them. Bleedin' all the time. Didn't see nothing but red
for 'leven months."
"You!"
"Yeh; three years ago. Looked like Arizona on a stretcher for me."
"You--so big and strong and all!"
Public-domain text, read in full here on John Shaqi.
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