The best short stories of 1915, and the yearbook of the American short story
General
The best short stories of 1915, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
The clothes he had just taken off lay across an arm of the painted
chair by his bed. He lifted the coat, and let it fall from his grasp.
He moved over to the wash-stand. The Chinese pitcher was as light as
if filled with air when he turned its nose to the basin. The hat-tub
stood on end between the wash-stand and the closet door. He reached
for the battered old red tassel of the bell-rope and pulled it. It
was so late,--it was getting later,--he must hurry, whether Simpkins
came or not. He could manage. And he opened the closet door, sighing
at the bothersome prospect of getting into his togs. He ran his hand
over his hair. Where was the mirror? And, damme! he had no light!
The shoes were a trifle hard to draw on, too small for him; the
breeches were badly in need of pressing; the coat was stiff. He began
opening drawers in the bureau, delving through piles of neatly folded
linen and silk. At last he chose a shirt and put it on over his head.
He laid aside the purple satin waistcoat until he should have arranged
his stock, which he found tight, and difficult to make meet in the back.
But he finally got it adjusted; he brought the thick, wide ends around
in front, tied them in a huge bow while he walked over to the window
and gazed out. Fine night. The mist had gone, the stars were dimly
appearing. He turned back for his waistcoat and jacket. By mistake he
opened the closet door again instead of the one which led into the hall.
"I knew you would come!" she said, approaching so near to him from
out the somber blackness of the garments which draped the walls that
he could see her quite plainly by the light of the candle in her hand.
She wasn't a day over twenty. If she was pale, it was more the pallor
of fright than of ill health, or perhaps only because her skin showed
so white, lighted by the faint glare, in contrast to her deep eyes and
to the thick, glossy braids bound round and round above her forehead.
"John, John, won't you speak to me?"
He took a step forward, faltering. At that moment there was a brusque
movement beside him, and he turned to behold there a young man, dressed
in knee-breeches, wearing a purple waistcoat and velvet coat, as like
unto himself as his own image.
"Duty bade me come," the stranger answered stiffly, as if it was for his
ears that her words had been intended.
Hastings' gaze flew to meet hers, which he was astonished to find still
directed on him instead of on the speaker. He felt himself melted to
pity by her frailness and beauty and charm, so that he turned almost
angrily toward the intruder, who, at that moment, however, began to
address her in tones Hastings could but admire:
"To you!" cried out the young stranger--"you, for whom duty knows no
promptings!"
At that, Hastings turned to her again, his heart rent by the plea she
uttered.
Public-domain text, read in full here on John Shaqi.
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