The best short stories of 1917, and the yearbook of the American short story
General
The best short stories of 1917, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
"How is it?" repeated Gaston. "It is, Monsieur, that France is a great
lady who does not derange herself for a simple vagabond like Gaston, or
about whose liaisons or quarrels it is not for Gaston to concern
himself. This great lady has naturally not asked my opinion about this
quarrel. But if she had, I would have told her that it is very stupid
for everybody in Europe to begin shooting at each other. Why? Simply
because it pleases _ces messieurs_ the Austrians to treat _ces
messieurs_ the Serbs _de haut en bas_! What have I to do with that?
Besides, this great lady is very far away, and by the time I arrive she
will have arranged her affair. In the meantime there are many others,
younger and more capable than I, whose express business it is to arrange
such affairs. Will one _piou-piou_ more or less change the result of one
battle? Of course not! And if I should lose my hand or my head, who
would buy me another? Not France! I have seen a little what France does
in such cases. My own father left his leg at Gravelotte, together with
his job and my mother's peace. I have seen what happened to her, and how
it is that I am a vagabond--about whom France has never troubled
herself." He shouted it over his shoulder, above the noise of the motor,
with an increasing loudness. "Also," he went on, "I have duties not so
far away as France. Up there, at Sheleilieh, there will perhaps be next
month a little Gaston. If I go away, who will feed him? I have not the
courage of Monsieur, who separates himself so easily from objects of
virtue. _Voila!_"
Magin said nothing for a moment. Then:
"Courage, yes! One needs a little courage in this curious world." There
was a pause, as the boat cut around a dark curve. "But do not think, my
poor Gaston, that it is I who blame you. On the contrary, I find you
very reasonable--more reasonable than many ministers of state. If others
in Europe had been able to express themselves like you, Gaston, Monsieur
Guy and his friends would not have run away so suddenly. It takes
courage, too, not to run after them." He made a sound, as if changing
his position, and presently he began to sing softly to himself.
"Monsieur would make a fortune in the _cafe-chantant_," commented
Gaston. He began to feel, at last, after the favorable reception of his
speech, a little cheered. He felt cooler, too, in this quiet rushing
moonlight of the river. "What is it that Monsieur sings? It seems to me
that I have heard that air."
"Very likely you have, Gaston. It is a little song of sentiment, sung by
all the sentimental young ladies of the world. He who wrote it, however,
was far from sentimental. He was a fellow countryman of mine--and of the
late Abraham!--who loved your country so much that he lived in it and
died in it." And Magin sang again, more loudly, the first words of the
song:
"Ich weiss nicht, was soll es bedeuten,
Dass ich so traurig bin;
Ein Maerchen aus alten Zeiten,
Das kommt mir nicht aus dem Sinn."
Public-domain text, read in full here on John Shaqi.
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