The best short stories of 1917, and the yearbook of the American short story
General
The best short stories of 1917, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
The county attorney picked up the apron. He laughed.
"Oh, I guess they're not very dangerous things the ladies have picked
out."
Mrs. Hale's hand was on the sewing basket in which the box was
concealed. She felt that she ought to take her hand off the basket. She
did not seem able to. He picked up one of the quilt blocks which she had
piled on to cover the box. Her eyes felt like fire. She had a feeling
that if he took up the basket she would snatch it from him.
But he did not take it up. With another little laugh, he turned away,
saying:
"No; Mrs. Peters doesn't need supervising. For that matter, a sheriff's
wife is married to the law. Ever think of it that way, Mrs. Peters?"
Mrs. Peters was standing beside the table. Mrs. Hale shot a look up at
her; but she could not see her face. Mrs. Peters had turned away. When
she spoke, her voice was muffled.
"Not--just that way," she said.
"Married to the law!" chuckled Mrs. Peters' husband. He moved toward the
door into the front room, and said to the county attorney:
"I just want you to come in here a minute, George. We ought to take a
look at these windows."
"Oh--windows," said the county attorney scoffingly.
"We'll be right out, Mr. Hale," said the sheriff to the farmer, who was
still waiting by the door.
Hale went to look after the horses. The sheriff followed the county
attorney into the other room. Again--for one final moment--the two women
were alone in that kitchen.
Martha Hale sprang up, her hands tight together, looking at that other
woman, with whom it rested. At first she could not see her eyes, for the
sheriff's wife had not turned back since she turned away at that
suggestion of being married to the law. But now Mrs. Hale made her turn
back. Her eyes made her turn back. Slowly, unwillingly, Mrs. Peters
turned her head until her eyes met the eyes of the other woman. There
was a moment when they held each other in a steady, burning look in
which there was no evasion nor flinching. Then Martha Hale's eyes
pointed the way to the basket in which was hidden the thing that would
make certain the conviction of the other woman--that woman who was not
there and yet who had been there with them all through that hour.
For a moment Mrs. Peters did not move. And then she did it. With a rush
forward, she threw back the quilt pieces, got the box, tried to put it
in her handbag. It was too big. Desperately she opened it, started to
take the bird out. But there she broke--she could not touch the bird.
She stood there helpless, foolish.
There was the sound of a knob turning in the inner door. Martha Hale
snatched the box from the sheriff's wife, and got it in the pocket of
her big coat just as the sheriff and the county attorney came back into
the kitchen.
"Well, Henry," said the county attorney facetiously, "at least we found
out that she was not going to quilt it. She was going to--what is it
you call it, ladies?"
Mrs. Hale's hand was against the pocket of her coat.
Public-domain text, read in full here on John Shaqi.
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