The best short stories of 1917, and the yearbook of the American short story
General
The best short stories of 1917, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
"It's her mind, Selene--that's going. That's why I feel if I could only
get her back. She ain't old, gramaw ain't. If I could only get her back
where she--could see for herself--the graves--is all she needs. All old
people think of--the grave. It's eating her--eating her mind. Mark Haas
is going to fix it for me after the war--maybe before--if he can. That's
the only way poor gramaw can live--or die--happy, Selene. Now--now that
my--my little girl ain't any longer my responsibility, I--I'm going to
take her back--my little--girl"--her hand reached out, caressing the
smooth head, her face projected forward and the eyes yearning down--"my
all."
"It's you will be my responsibility now, ma."
"No! No!"
"The first thing Lester says was a flat on Wasserman and a spare room
for mother Coblenz when she wants to come down. Wasn't it sweet for him
to put it that way right off, ma. 'Mother Coblenz,' he says."
"He's a good boy, Selene. It'll be a proud day for me and gramaw.
Gramaw mustn't miss none of it. He's a good boy and a fine family."
"That's why, mamma, we--got to--to do it up right."
"Lester knows, child, he's not marrying a rich girl."
"A girl don't have to--be rich to get married right."
"You'll have as good as mamma can afford to give it to her girl."
"It--it would be different if Lester's uncle and all wasn't in the Acme
Club crowd, and if I hadn't got in with all that bunch. It's the last
expense I'll ever be to you, mamma."
"Oh, baby, don't say that!"
"I--me and Lester--Lester and me were talking, mamma--when the
engagement's announced next week--a reception--"
"We can clear out this room, move the bed out of gramaw's room into
ours, and serve the ice-cream and cake in--"
"Oh, mamma, I don't mean--that!"
"What?"
"Who ever heard of having a reception _here_! People won't come from
town way out to this old--cabbage patch. Even Gertie Wolf with their big
house on West Pine Boulevard had her reception at the Walsingham Hotel.
You--we--can't expect Mark Haas and all the relations--the
Sinsheimers--and--all to come out here. I'd rather not have any."
"But, Selene, everybody knows we ain't millionaires, and that you got in
with that crowd through being friends at school with Amy Rosen. All the
city salesmen and the boys on Washington Avenue, even Mark Haas himself,
that time he was in the store with Lester, knows the way we live. You
don't need to be ashamed of your little home, Selene, even if it ain't
on West Pine Boulevard."
"It'll be--your last expense, mamma. The Walsingham, that's where the
girl that Lester Goldmark marries is expected to have her reception."
"But, Selene, mamma can't afford nothing like that."
Pink swam up into Miss Coblenz's face, and above the sheer-white collar
there was a little beating movement at the throat, as if something were
fluttering within.
"I--I'd just as soon not get married as--as not to have it like other
girls."
"But, Selene--"
Public-domain text, read in full here on John Shaqi.
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