The best short stories of 1917, and the yearbook of the American short story
General
The best short stories of 1917, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
"Three pair o' them underdrawers, Delia--an' not a break in one of 'em!
I sez, as soon as I see Clem layin' 'em aside this spring, 'Them
things'll be jest right fur Delia's Jere, layin' there with the
rheumatiz.' They may come a little loose; but, of course, you can't be
choicey. I've b'en at Clem fur five years to buy him union suits; but
he's always b'en so stuck on red flannen. But now he's got two
aut'mobiles, countin' the new delivery, I guess he's gotta be more tony;
so he made out to spare 'em. And now that hat, Delia--it ain't a mite
wore out, an' fur all you'll need one it's plenty good enough. I only
had it two years and I guess folks won't remember; an' what if they
do--they all know you get my things. Same way with that collarette. It's
a little moth-eaten, but it won't matter fur you.... The gray suit you
can easy cut down fur Luke, there--"
She droned on, the other woman making dry automatic sounds of assent.
She looked cool--Maw--Luke thought; but she wasn't. Not by a darn sight!
There was a spot of pink in each cheek and she stared hard every little
bit at Grampaw Peel's funeral plate on the mantel. Luke knew what she
was thinking of--poor Maw! She was burning in a fire of her own
lighting. She had brought it all on herself--on the whole of them.
Years ago she had been just like Aunt Mollie. The daughters of a
prosperous village carpenter, they had shared beads, beaux and bangles
until Maw, in a moment's madness, had chucked it all away to marry poor
Paw. Now she had made her bed, she must lie in it. Must sit and say
"Thank you!" for Aunt Mollie's leavings, precious scraps she dared not
refuse--Maw, who had a pride as fierce and keen as any! It was devilish!
Oh, it was kind of Aunt Mollie to give; it was the taking that came so
bitter hard. And then they weren't genteel about their giving. There was
always that air of superiority, that conscious patronage, as now, when
Uncle Clem, breaking off his conversation with the invalid in the next
room about the price of mutton on the hoof and the chances of the
Democrats' getting in again, stopped fiddling with his thick plated
watch chain and grinned across at big Tom to fling his undeviating
flower of wit:
"Runnin' all to beef, hain't ye, Tom, boy? Come on down to the market
an' we'll git some A-1 sirloins outen ye, anyway. Do your folks that
much good."
It was things like this that made Luke want to burn, poison, or shoot
Uncle Clem. He was not a bad man, Uncle Clem--a thick sandy chunk of a
fellow, given to bright neckties and a jocosity that took no account of
feelings. Shaped a little like a log, he was--back of his head and back
of his neck--all of a width. Little lively green eyes and bristling red
mustaches. A complexion a society bud might have envied. Why was it a
butcher got so pink and white and sleek? Pork, that's what Uncle Clem
resembled, Luke thought--a nice, smooth, pale-fleshed pig, ready to be
skinned.
Public-domain text, read in full here on John Shaqi.
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