The best short stories of 1917, and the yearbook of the American short story
General
The best short stories of 1917, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
Uncle Clem had taken out a fat black cigar with a red-white-and-blue
band. He bit off the end and alternately thrust it between his lips or
felt of its thickness with a fondling thumb and finger. Luke, watching,
felt a sudden compassion for the cigar. It looked so harried.
"I always say," Aunt Mollie droned on, "a person shows up what he really
is at the last--what him and his family stands fur. It's what kind of a
funeral you've got that counts--who comes out an' all. An' that was
true with Matty. There wa'n't a soul worth namin' that wasn't out to
hers."
How Aunt Molly could gouge--even amicably! And funerals! What a subject,
even in a countryside where a funeral is a social event and the manner
of its furniture marks a definite social status! Would they never go?
But it seemed at last they would. Incredibly, somehow, they were taking
their leave, Aunt Mollie kissing Maw good-by, with the usual remark
about "hopin' the things would help some," and about being "glad to
spare somethin' from my great plenty."
She and Senorita were presently packed into the car and Tom had gone out
to goggle at Uncle Clem cranking up, the cold cigar still between his
lips. Now they were off--choking and snorting their way out of the
wood-yard and down the lane. Aunt Mollie's pink feather streamed into
the breeze like a pennon of triumph.
* * *
Maw was standing by the stove, a queer look in her eyes; so queer that
Luke didn't speak at once. He limped over to finger the spilled
treasures on the table.
"Gee! Lookit, Maw! More o' them prunes we liked so; an' a bag o' early
peaches; an' fresh soup meat fur a week--"
A queer trembling had seized his mother. She was so white he was
frightened.
"Did you sense what it meant, Luke--what Aunt Molly told us about Matty
Bisbee? We was left out deliberate--that's what it meant. Her an' me
that was raised together an' went to school and picnics all our girlhood
together! Never could see one 'thout the other when we was growin'
up--Jim Bisbee knew that too! But"--her voice wavered miserably--"I
didn't get no invite to her funeral. I don't count no more, Lukey. None
of us, anywheres.... We're jest them poor Gawd-forsaken Hayneses."
She slipped down suddenly into a chair and covered her face, her thin
shoulders shaking. Luke went and touched her awkwardly. Times he would
have liked to put his arms round Maw--now more than ever; but he didn't
dare.
"Don't take on, Maw! Don't!"
"Who's takin' on?" She lifted a fierce, sallow, tear-wet face. "Hain't
no use makin' a fuss. All's left's to work--to work, an' die after a
while."
"I hate 'em! Uncle Clem an' her, I mean."
"They mean kindness--their way." But her tears started afresh.
"I hate 'em!" Luke's voice grew shriller. "I'd like--I'd like--Oh, damn
'em!"
"Don't swear, boy!"
It was Tom who broke in on them. "It's a letter from Rural Free
Delivery. He jest dropped it."
He came up, grinning, with the missive. The mother's fingers closed on
it nervously.
Public-domain text, read in full here on John Shaqi.
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