The best short stories of 1917, and the yearbook of the American short story
General
The best short stories of 1917, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
Among the most impressive of the phenomena of life, as noted in my
thirteenth year, is the amazing way in which a community can change
while one is away from it a month. Urkey village at the beginning of my
'teens seemed to me much the same Urkey village upon which I had first
opened my eyes. And then I went to make a visit with my uncle Orville
Means in Gillyport, just across the Sound, and when I came back on the
packet I could assure myself with all the somber satisfaction of the
returning exile that I would scarcely have known the old place.
Gramma Pilot's cow had been poisoned. There had been a fire in the
Selectmen's room at Town Hall. Amber Matheson had left Mrs. Wharf's
Millinery and set up for herself, opposite the Eastern School. And Mate
Snow, all of a sudden, had bought the old Pons house, on the hill
hanging high over the town, and gone to live there. With a leap, and as
it were behind my back, he sat there dominating the village and the
harbor and the island--our Great Man.
He took Minister Malden with him, naturally, out of the two rooms over
the store, into one room in the third story of the house on the
hill--where Sympathy Gibbs could see him if she chose to look that way,
as frankly and ignominiously a dependent as any baron's chaplain in the
Golden Days.
"She'd have done better with Mate, after all," folks began to say.
But of all the changes in the village, the most momentous to me was the
change in Yen Sin. I don't know why it should have been I, out of all
the Urkey youth, who went to the Chinaman's; perhaps it was the
spiritual itch left from that first adventure on the scow. At any rate,
I had fallen into a habit of dropping in at the cabin, and not always
with a collar to do.
I had succeeded in worming out of him the meaning of that first set of
bird-scratches on my collar-band--"The boy who throws clam-shells"--and
of a second and more elaborate writing--"The boy who is courageous in
the face of all the water of the ocean, yet trembles before so much of
it as may be poured in a wash-basin." There came a third inscription in
time, but of that he would not tell me, nor of Mate Snow's, nor the
minister's. It was a queer library he had, those fine-written collars of
Urkey village.
Public-domain text, read in full here on John Shaqi.
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