The best short stories of 1917, and the yearbook of the American short story
General
The best short stories of 1917, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
The Chinaman's eyes had come to me now, and there was a queer light in
them that I couldn't understand. An adventure beyond my little
comprehension was taking shape behind them, and all I knew enough to do
was to sneak around behind the counter and take hold of one of his
fingers and shake it up and down, like one man taking a day's leave of
another. His eyes thanked me for my violence; then they were back again
to their mysterious speculations. An overweening excitement gathered in
them. He frightened me. Quite abruptly, as if an unexpected reservoir of
energy had been tapped, the dying man lifted on an elbow and slid one
leg over the edge of the couch. Then he glanced at me with an air almost
furtive.
"Boy," he whispered. "Run quick gettee Mista Minista, yes."
"But he's coming _himself_," I protested. "You better lay back."
"Mista Yen Sin askee _please_! Please, boy."
What was there for me to do? I ran. Once on the dock above, misgivings
assailed me. I was too young, and the night was too appalling. I had
forgotten the wind, down in the cabin, but in the open here I felt its
weight. It grew all the while; its voice drowned the world now, and
there was spindrift through it, picked from the back shore of the island
and flung all the way across. Objects were lost in it; ghostly things,
shore lights, fish-houses, piers, strained seaward. I heard the packet's
singing masts at the next wharf, but I saw no packet. The ponderous scow
below me became a thing of life and light, an eager bird fluttering at
its bonds and calling to the wide spaces. To my bewildered eyes it
seemed to move--it _was_ moving, shaking off the heavy hands of bondage,
joining itself with the wind. I got down on my knees of a sudden and
peered at the deck.
"_Yen Sin!_" I screamed. "_What you doin' out there?_"
I saw him dimly in the open air outside his door, fumbling and fumbling
at something. This was his great adventure, the thing that had gleamed
in his eyes and had tapped that unguessed reservoir of strength. His
voice crept back to me, harassed by the wind,
"This velly funny countly, Mista Boy. Mista Yen Sin go back China way."
His bow-line was fast to an iron ring on the wharf. I wanted to hold him
back, and I clutched at the rope with my hands as if my little strength
were something against that freed thing. The line came up to me easily,
cast off from the scow at the other end.
He was waning. His window and door and the little fan-light before the
door were all I could see now, and even that pattern blurred and became
uncertain and ghostly on the mat of the night. He was clear of the
wharves now, and the wind had him--sailing China way--so peaceful, so
dreamless, surrounded by his tell-tale cargo of Urkey's unwashed
collars.
* * *
Public-domain text, read in full here on John Shaqi.
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