The best short stories of 1917, and the yearbook of the American short story
General
The best short stories of 1917, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
There should have come to us then the strains of an orchestra floating
in with the fragrance of gardenias from a vendor's basket, symbols of
life's call to us, luring us out beneath stars of joy. But, instead, the
bell of Brompton pealed out warningly over our souls, and, when its
clanging died, there drifted in the sound of a preaching voice.
Only phrases clattering across the darkness were the words from
beyond--resonant through the open windows: "The Cross is always ready,
and everywhere awaiteth thee.... Turn thyself upward, or turn thyself
downward; turn thyself inward, or turn thyself outward; everywhere thou
shalt find the Cross;... if thou fling away one Cross thou wilt find
another, and perhaps a heavier."
Like sibylline prophecy the voice of the unseen preacher struck down on
us. We moved uneasily, the four of us, as he cried out challenge to the
passing world before his voice went down before the surge of a hymn.
Then, just as the gay whirl of cars and omnibuses beat once more upon
the pavements, and London swung joyously into our hearts again, the bell
of the telephone in the hall rang out with a quivering jangle that
brought Leila to her feet even as Standish jumped to answer its summons.
She stood beside the piano as he gave answer to the call, watching him
as if she expected evil news. Dick, who had moved back into the shadow
from a lamp on the table, was staring with that same searching gaze he
had bestowed on her when she had lingered beside the window. I was
looking at him, when a queer cry from Standish whirled me around.
In the dim light of the hall he was standing with the instrument in his
hands, clutching it with the stupidity of a man who has been struck by
an unexpected and unexplainable missile. His face had gone to a grayish
white, and his hands trembled as he set the receiver on the hook. His
eyes were bulging from emotion and he kept wetting his lips as he stood
in the doorway.
"What is it?" Leila cried. "What's happened, Stan? Can't you tell me?
What is it?"
Not to her, but to Dick Allport, he made answer. "Bessie Lowe is dead!"
I saw Dick Allport's thunderstruck surprise before he arose. I saw his
glance go from Standish to Leila with a questioning that overrode all
other possible emotion in him. Then I saw him look at Burton as if he
doubted his sanity. His voice, level as ever, rang sharply across the
other man's distraction.
"When did she die?" he asked him.
"Just now." He ran his hand over his hair, gazing at Dick as if Leila
and I were not there. "She--she killed herself down in the Hotel
Meynard."
"Why?" Leila's voice, hard with terror, snapped off the word.
"She--she--I don't know." He stared at his wife as if he had just become
conscious of her presence. The grayness in his face deepened, and his
lips grew livid. Like a man condemned to death, he stared at the world
he was losing.
Public-domain text, read in full here on John Shaqi.
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