The best short stories of 1917, and the yearbook of the American short story
General
The best short stories of 1917, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
As Suvaroff neared his lodgings, he began to wonder whether the Italian
who had the room next him would continue to grind out tunes all night
upon his accordion. The thought made Suvaroff shudder. What in Heaven's
name possessed people to grind out tunes, Suvaroff found himself
inquiring, unless one earned one's living that way? Certainly this
weather-beaten Italian was no musician; he smelled too strongly of fish
for any one to mistake his occupation. He tortured melody from choice,
blandly, for the pure enjoyment of the thing. With Suvaroff it was
different; if he did not play, he did not eat.
Suvaroff's head had ached all day. The cafe where he scraped his violin
from early afternoon until midnight had never seemed so stuffy, so
tawdry, so impossible! All day he had sat and played and played, while
people ate and chattered and danced. No, that did not describe what
people did; they gorged and shrieked and gyrated like decapitated fowls,
accomplishing everything with a furious energy, primitive, abandoned,
disgusting. He wondered if he would ever again see people eat quietly
and simply, like normal human beings.
If only the Italian would go away, or decide to sleep, or die! Yes,
Suvaroff would have been glad to have found his neighbor quite
dead--anything to still that terrible accordion, which had been pumping
out tunes for over a week at all hours of the day and night! The music
did not have the virtue of an attempt at gaiety; instead it droned out
prolonged wails, melancholy and indescribably discordant.
The night was damp, a typical San Francisco midsummer night. A drizzling
fog had swept in from the ocean and fell refreshingly on the gray city.
But the keenness of the air irritated Suvaroff's headache instead of
soothing it; he felt the wind upon his temples as one feels the cool cut
of a knife. In short, everything irritated Suvaroff--his profession, the
cafe where he fiddled, the strident streets of the city, the evening
mist, the Hotel des Alpes Maritimes, where he lodged, and the Italian
fisherman and his doleful accordion.
Turning off Kearny Street into Broadway, he had half a notion not to go
home, but his dissatisfaction was so inclusive that home seemed, at
once, quite as good and as hopeless a place to go as any other. So he
pushed open the door of his lodging-house and stamped rather heavily
up-stairs.
Although midnight, the first sound which greeted Suvaroff was the
wheezing of the Italian's accordion.
"Now," muttered Suvaroff, "I shall suffer in silence no longer. Nobody
in this city, much less in these wretched lodgings, has an ear for
anything but the clink of money and the shrill laughter of women. If
fifty men were to file saws in front of the entrance of any one of these
rooms, there would be not the slightest concern. Every one would go on
sleeping as if they had nothing more weighty on their conscience than
the theft of a kiss from a pretty girl."
Public-domain text, read in full here on John Shaqi.
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