The best short stories of 1918, and the yearbook of the American short story
General
The best short stories of 1918, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
She had been to Harvard, summers, and taken all the courses which the
vacation curriculum afforded—unnoticed, unapplauded, it is said, by her
instructors. She had traveled—not so widely, either, but cleverly,
eclectically, domineeringly, with her sole end in view. After five
minutes with only—say—a timetable, acquired, let us suppose, at Cook’s,
Topica, she could as showily allude to any express _de luxe_ there
mentioned—be it for Tonkin or Salamanca—as the most confirmed passenger
ever upon it. She had mastered French and Italian. And she had—first and
last and betweenwhiles—read Hurrell Oaks. I venture to say there wasn’t
a vowel—or consonant, for that matter—of the seventy-odd volumes she
hadn’t persistently, enamouredly, and enviously devoured.
At Newfair, people had by this time, of course, compared her “work” with
the “works” of Hurrell Oaks; but you know how few people have the
patience or the taste to “take him in”? And the result of comparisons
almost invariably was that Marian Haviland was better. She had
assimilated some of the psychology, much of the method, and a little of
the charm; and had crossed all her T’s and dotted her I’s, and revised
and simplified the style, as one person put it, for “the use of
schools”; and brought what Hurrell Oaks called “the base rattle of the
foreground” fully into play.
Instead of being accused of having got so much from him, she was
credited, one thought, with having given him a good deal. You might have
guessed, to hear people at Newfair talk, that _she_ was partly
responsible for the ovations being tendered him over the country during
the season of his return—the first time in fifteen years—to his native
land.
“Mrs. ——,” Miss Haviland explained, mentioning a well-known metropolitan
name, “has written me” (of course she would be the one literary fact at
Newfair to write to on such matters) “to ask if we can possibly do with
Mr. Oaks overnight.”
I gaped under my handkerchief at the fluency of her “do.”
“But I don’t just know how,” she went on, “we _could_ make him
comfortable. Mrs. Edgerton won’t be well in time. And he _mustn’t_ stay
at the Greens’.” She waxed indignant at the very possibility. “In _her_
guest-room, my dear? With those Honiton laces, and that scorbutic
carpet, and the whirligig pattern on the walls—and the windows giving on
the parti-colored slate roof of the gymnasium?”
I tried, in spite of myself, to think commensurately.
“And Mrs. Kneeland’s waitress wears ear-rings!... No. Now I’ve been
thinking—don’t hurry along so, George. You never keep in line! It spoils
the pleasure of walking when one constantly outsteps you like that.”
“Pardon,” said George, and fell back.
Miss Haviland winced and shifted her maroon parasol to the shoulder on
his side, and smiled attentively at me to sweeten the interval, and
continued:
“Now _I_, if you’re interested to hear—”
Public-domain text, read in full here on John Shaqi.
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