The best short stories of 1918, and the yearbook of the American short story
General
The best short stories of 1918, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
I watched her slowly raise one hand and unclasp it; I saw within a
small, a very small, white paper thing, which she held closer to her
face and gaped at, as if she couldn’t believe the truth of what she saw.
“What is it? What is the matter, Miss Haviland?” I asked.
“Nothing,” she answered, quite calmly.... “_Listen!_ Don’t you hear—”
But she shuddered. “They’ll be coming, Miss Haviland. Really! You’ve no
time left.”
“Yes.”
She tried to smile. It was uncanny. It was hardly more than a distension
of her pale wide lips—a relic, merely, of spent resourcefulness. Then
the blankness went out of her face, her expression collapsed, and she
sobbed aloud.
“Miss Haviland! Miss Haviland! Do let me help you,” I begged, and I put
my arm through hers and led her inside the swinging door and up the
narrow stairs. “Mayn’t I do _anything_?”
She dragged herself heavily on by my side. But her sobs ceased after the
first flight. At the meager landing before her door she broke away and
stood erect and faced me and held out her hand. The abruptness of the
change in her awed me. I watched her push the hair from over her face
and tilt her head back and shake it and gather the folds of the kimono
nonchalantly together; and resume the old hard connoisseurship I had
seen her exercise from the beginning. Her eyes dilated tensely, and her
eyebrows went tensely up, and she gave me that envisaging smile as of
yore.
“It was nothing,” she said, “quite nothing. Won’t you step in and
wait?... I’m tired, I expect. I was alone here, do you see, taking my
bath. The servants” (Mrs. Edgerton’s servants!) “hadn’t come. And that
knock on the door upset me. I thought—I thought—it might be—the—the
caterer” (she winced at the word, and the wince seemed to help her to
proceed) “with the food. So I hurried out and down like mad.... Thanks
awfully, though. You’ll be back, surely? Please do.”
I did go back, of course. I wouldn’t have missed it for worlds—sad as it
was. There wasn’t such a long interval to wait, either. I wended my way,
and found the theme-box closed, and returned at about quarter past five.
When I entered, the assemblage was in full swing, and Marian Haviland,
in the black afternoon toilette she had sent to New York for in honor of
Hurrell Oaks’s visit, was scintillating in the midst. She had donned her
pearls, and subdued her cheeks unbecomingly, and tinted her lips; and,
going from one person to another, she would, in response to the
indiscriminating compliments they bestowed, just tap them each gaily on
the shoulder with her fan and explain that:
“Mr. Oaks was so sorry, but he couldn’t wait. Yes, he was wonderful,”
she would say, “_perfectly_. We had an immemorial hour together. I shall
never forget it—_never_.”
Public-domain text, read in full here on John Shaqi.
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