The best short stories of 1918, and the yearbook of the American short story
General
The best short stories of 1918, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
The atmosphere was unnatural to this capable business man, this Jasper
Holt. But Jasper did not seem oppressed. He briskly removed the wrappers
from the genuine books and from the candy-box imitations of books. One
of the two wrappers he laid on the table and smoothed out. Upon this he
poured the candy from the two boxes. The other wrapper and the strings
he stuffed into the fireplace and immediately burned. Crossing to the
bookcase he unlocked one section and placed both the real books and the
imitation books on the bottom shelf. There was a row of rather
cheap-looking novels on this shelf, and of these at least six were
actually such candy boxes as he had purchased that evening.
Only one shelf of the bookcase was given over to anything so frivolous
as novels. The others were filled with black-covered, speckle-leaved,
dismal books of history, theology, biography—the shabby-genteel sort of
books you find on the fifteen-cent shelf at a secondhand bookshop. Over
these Jasper pored for a moment as though he was memorizing their
titles.
He took down “The Life of the Rev. Jeremiah Bodfish” and read aloud: “In
those intimate discourses with his family that followed evening prayers
I once heard Brother Bodfish observe that Philo Judæus—whose scholarly
career always calls to my mind the adumbrations of Melanchthon upon the
essence of rationalism—was a mere sophist—”
Jasper slammed the book shut, remarking contentedly, “That’ll do. Philo
Judæus—good name to spring.”
He relocked the bookcase and went upstairs. In a small bedroom at the
right of the upper hall an electric light was burning. Presumably the
house had been deserted till Jasper’s entrance, but a prowler in the
yard might have judged from this ever-burning light that some one was in
residence. The bedroom was Spartan—an iron bed, one straight chair, a
washstand, a heavy oak bureau. Jasper scrambled to unlock the lowest
drawer of the bureau, yank it open, take out a wrinkled shiny suit of
black, a pair of black shoes, a small black bow tie, a Gladstone collar,
a white shirt with starched bosom, a speckly brown felt hat and a wig—an
expensive and excellent wig with artfully unkempt hair of a faded brown.
He stripped off his attractive flannel suit, wing collar, blue tie,
custom-made silk shirt and cordovan shoes, and speedily put on the wig
and those gloomy garments. As he donned them the corners of his mouth
began to droop. Leaving the light on and his own clothes flung on the
bed he descended the stairs. He was obviously not the same man who had
ascended them. As to features he was like Jasper, but by nature he was
evidently less healthy, less practical, less agreeable, and decidedly
more aware of the sorrow and long thoughts of the dreamer. Indeed it
must be understood that now he was not Jasper Holt, but Jasper’s twin
brother, John Holt, hermit and religious fanatic.
II
Public-domain text, read in full here on John Shaqi.
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