The best short stories of 1918, and the yearbook of the American short story
General
The best short stories of 1918, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
“Here’s to the wives we loved in the days before War came upon us.
Here’s to the promises they made us—to be ours until death came between
us. Here’s to the suffering they have borne for our thoughtlessness; the
hours when they have looked into the future and wondered if the love
that we promised was worth the price they were paying. Here’s to the
hopes and the fears, the joys and the sorrows that have come to
them—that are coming to them now—that are coming to them in the years on
ahead with ever greater portion. Here’s to their courage and noble
endeavor, given so pathetically to us chaps who sometimes—forget. May we
die as faithfully in the cause to which we have pledged ourselves as
they will live in the memory of what-might-have-been in the lean years
when there are forms sitting in fantasy beside them in the firelight and
our voices are heard in the homes we made with them—no more.
“And here’s to the girls we are leaving behind! Here’s to the kisses
they have given us under the stars of many summers—the memory of their
hands and their lips and their eyes! Here’s to the weight in their souls
and the pain that will hallow the memories that will haunt them through
the years. Here’s to the sighs and the shadows, the heart-hopes and the
longing! God grant in His goodness their fidelity is rewarded!
“These are the things to which we drink—the men of yesterday—and the
memory of their heroism which has been—and the women of to-day and whose
heroism is to be. With the great incentive of these two in our hearts,
boys—let us drink and go away to fight like men—to honor the first—to
sanctify the second.”
He clinked his glass against that of speechless Uncle Joe Fodder’s—and
they drank—Uncle Joe drinking his wine with a hand which trembled so
that the liquid stained his withered claw like a scarlet wound.
The hall was strangely silent.
Sam turned to his wife. “That boy never composed that beautiful speech
alone, Mary,” he said—“not impromptu like that!”
Down the hall an old lady whispered to her daughter:
“Alice! Alice!—His grandaddy made just such a speech—almost word for
word—the night John Farrington’s company bade us women-folks good-by.”
As the hall was being cleared for the big farewell dance, Sam came to
the boy.
“Laddie,” he demanded, “where did you learn that speech?”
“What speech?” asked the boy.
“You know _what_ speech—the toast!”
“I don’t know, Mr. Hod. I just looked at the faces—and the
wine—and—and—Betty!—and it just came out.”
“Is that the truth?”
“Sure, it’s the truth. What was it I said that was so awful wonderful?”
“Don’t you remember what you said?”
The boy laughed ashamedly. “—I couldn’t repeat it if it cost me my
life,” he replied. “It—just—came—out!”
Late that night the old editor lay in his bed thinking of many things.
“The things in life are far stranger than the things in story books,” he
said. Then in the velvet dark he whispered: “Strange! Strange!”
――――
Public-domain text, read in full here on John Shaqi.
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