The best short stories of 1918, and the yearbook of the American short story
General
The best short stories of 1918, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
I turned, because his manner indicated clearly enough that I might,
squarely round in my chair, and immediately it was clear to me why he
had said just that. Any one would have said it—any other American, I
mean—which makes it more striking—and said it involuntarily, too. You
couldn’t have helped it. And yet you would encounter a dozen perfectly
unmistakable Americans every day in Paris without feeling the necessity
for any remark. It was simply that Corey was so typically the kind of
American you _wouldn’t_ encounter in Paris, or any other place, you
felt, outside his own country. The curious thing about him was that
instantly on seeing him, almost before you thought of America, you
thought of a particular and localized section of America. You thought of
the Middle West. There was something wholesome and provincial and
colloquial about him. He was like a boy you’d gone to grammar school
with—the kind of fellow to succeed to his father’s business and marry
and settle down in his home town, with New York City his farthest dream
of venture and romance.
Yet there he sat across the table from a dark-visaged Balkan officer who
was carrying on the conversation in careful English—it would have been
unimaginable that he should speak in anything _but_ English to him—and
it may have been the brilliance of this man’s uniform which kept one,
just at first, from seeing that he, too, our American, was wearing some
sort of uniform, khaki color, very workman-like and shipshape, which
might, if there had been the least chance of throwing us off, have
thrown us. But his round, good-natured, uncomplicated face, his light
brown hair and the way it was brushed—the very way it grew, like a
school-boy’s—the comfortable set of his broad shoulders, his kind of
energetic inclination to stoutness, and even the way he sat at the
table, were pure American Middle West and nothing else, no matter what
his uniform proclaimed. He was as American as the flag, as the opening
bars of “The Star-Spangled Banner,” as American as Kansas, Missouri, and
Iowa.
And when, at young Homan’s exclamation, I had turned and found him
looking straight toward me, the twinkle of his eyes had the effect of a
friendly wave of his hand. He had, of course, as he said afterward,
“spotted us,” too. Then he had seen—and it amused him—the little play of
our discovery.
I was just turning back to applaud to Homan the obviousness of his
designation, and to wonder, with him, what the uniform meant, when my
eye was caught by a thin, brilliantly colored line drawn, it seemed,
just above the left breast pocket of his coat, and about the same
length.
Public-domain text, read in full here on John Shaqi.
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