The best short stories of 1918, and the yearbook of the American short story
General
The best short stories of 1918, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
The train coming to a sudden stop brought me out of my oblivion, and,
looking idly out of the window to see what place it might be, I was
seized by one of those fits of petty annoyance incident to such
interruptions, for the train had run so far past the platform that I
found it impossible to see the name of the station. I got myself out of
my comfortable position, and tried, by turning completely about, to see
back to the station. But we had gone too far. And then—I haven’t an idea
why, for it was of absolutely no importance to me—I looked about for
some one to ask. And nearest me, sitting rather uncomfortably upright in
his big leather chair, the little rack at his elbow guiltless of any
glass, and holding listlessly in his hand the latest popular magazine,
sat a gray-haired, gray-suited old gentleman, looking lonesomely out of
his window.
“I beg pardon,” I said. “Can you tell me what place this is?”
He turned gratefully at the sound of my voice. “It’s ——,” he told me.
I’ve never been able to recall what name he said, because, I suppose, of
what came after.
It was certainly not surprising that he should think, from my manner,
that I had some interest in the place, and he went on, after a moment’s
hesitating silence, to say, in his unobtrusive but unmistakable
Middle-West voice, that the town was a milling center—flour and meal,
and that kind of thing.
I saw that I had committed myself to something more in the way of
conversation than my laconic word of thanks for his information and a
lapse into silence. I wondered what I could say. He was such a nice,
kindly old gentleman, and he would never in the world have addressed any
one first. I hit upon the most obvious sequence, and asked if, then, he
was familiar with that part of the country. He said, oh yes, he was “a
native of Iowa.”
“Indeed?” I said, for lack of anything else to say, and his statement
not having been a particularly provocative one.
“Yes,” he said. “My home is Dubuque.”
Dubuque! Dubuque! What was it I knew about Dubuque? The name struck me
instantly with a sense of importance, as if it had rung the bell of a
target concealed out of sight. I sought about in my mind for a full
minute before I recalled, with a kind of start—Corey.
So many things had come in between—bigger things than any one man—and
overlaid all the pictures that had gone before. Overlaid them with
pigment so crude, so roughly applied, that one neither saw nor
remembered anything else. All the nations of Europe loosed in the Great
War, and America straining hard at her worn leash of neutrality. Small
wonder that Corey, of Dubuque, along with countless other memories of
that pale time, had faded into a dim, far perspective.
Public-domain text, read in full here on John Shaqi.
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