The best short stories of 1918, and the yearbook of the American short story
General
The best short stories of 1918, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
Then there was something a little peculiar in so silent a man having so
many friends. Corey silent! Remembering him, one could hardly credit
that change. Burke qualified that by saying that when he used the word
silent, he didn’t in any sense mean morose. Corey had never been that.
He merely hadn’t, as people somehow seemed to expect him to do, talked.
And what he had meant by “friends” he wished to qualify, too. He hadn’t
meant pals. There had been nothing so active as that. But there were
ways to tell when a man was well liked. For example, no one who knew him
had ever seen anything funny about Corey’s decorations, and they never
talked about it among themselves.
Somebody had once asked Corey how long he had been over the first time.
It was evident that he _had_ been there before, because of the _Croix de
Guerre_ he wore when he came. And Corey had answered, about six weeks,
or a little less.
“And you got the _Croix_ in that time?” An exclamation forced out of the
fellow’s astonishment, and bringing from Corey an answer without a hint
of rebuff, yet certainly nothing that a man could call brag.
“You forget,” he said, with an almost imperceptible glance down at his
two rows of medals—“I knew the ropes.”
The man had afterward said to Burke that he was sorry he’d asked. But he
didn’t see anything to be ashamed of in the _Croix_—and Corey wore it
where a fellow couldn’t help seeing. There was, Burke said, a queer kind
of apology in it. No, there had been nothing like brag in Corey’s
answer. There had been none of that in anything he had done. And he had
been, according to Burke, the best surgeon of them all, the best man at
his work. But of course he had come to disaster in the end. A man can’t
go on ignoring danger like that.
They were stationed at Jubécourt, outside Verdun, and for months the
struggle had raged, attack and counterattack, for the possession of Hill
304. Corey had gone up to the front _poste de secour_ at Esnes, where in
an underground shelter fitted up in what had been the basement of an
ancient château, reduced now to ruins by the German shells, he was
giving first aid to the wounded brought in from the trenches.
Word had come into the _poste_ one night that an officer, lying in a
trench dugout, was too far gone to move. And Corey had volunteered to
go, alone, on foot, along the zigzag communication trench that led to
the dugout, under the incessant shelling, and see what he could do. And
early that morning, about three o’clock, they had been carried in, Corey
and his officer—the only two who had come out of that trench alive.
From the officer they had the story of what Corey had done; not many
words, to be sure, and little embellishment, but such accounts need no
flowers, no figures of speech. The facts are enough, told in gasps, as
this one was, hurriedly, while yet there was strength, as one pays a
debt, all at once, for fear he may never again have gold to pay.
Public-domain text, read in full here on John Shaqi.
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