The best short stories of 1918, and the yearbook of the American short story
General
The best short stories of 1918, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
At last he did come, pushing back his chair and walking slowly up the
room. They noticed then how he had changed. He had grown very much
older. He had been scarcely fifty when he had left, and now he looked
and walked like an old man, and his dress, which had always been very
neat and careful, showed an old man’s carelessness. They all got up when
he came and greeted him by name and with genuine cordiality. The little
stings of five years since had vanished long ago. Savelle got up last
and a little doubtfully, but it was Savelle he especially picked out.
“Ah, Savelle,” and he put out his hand.
Then he sat down in his old place and ordered more coffee and talked for
a while quietly to his right-hand neighbor, who was little Norvel. He
said nothing of himself and very little of any subject, seeming distrait
and very depressed. After a little, abruptly he took the conversation in
his own hands.
“Gentlemen,” he said, leaning forward with his hands folded on the cloth
in front of him, “since I was here last I have had a very great sorrow.
I have lost my son.”
Then he fell silent again, and apparently not hearing any of the things
that were said to him.
“He was killed,” he began a second time, just as he had begun the first,
“in Flanders, six weeks ago. He was twenty-two years and four months
old. Before he died they pinned this on him.” He fumbled in his
waistcoat, and picking out something threw it across the cloth over in
front of Savelle. It was a little bronze cross known the world over,
with two words on it, “For valor”. “I sent them my son and they sent me
back that,” said Philbin.
It was the old Philbin voice—the same that had in turn galled each one
of them.
“He went out in the night,” he went on, “and pulled back to life two
London fishmongers. Then he died—going back for a third fishmonger.
There is some six inches in a London newspaper telling about it. That
same paper gave a column and a half last week to a story I wrote. And
they gave six inches to my son. That’s queer, too, isn’t it?”
Nobody answered him. They were all afraid to—his tone was too bitter. No
one was quite sure what he would say.
“We used to talk here years ago,” he went on presently, “about curious
things. I think this curious enough to talk about. They gave a ‘stick’
to the death of my son and a column to the birth of my book. Savelle,
you are a newspaper man, tell us about it?”
Savelle was looking at him with his eyes blazing, and he answered not a
word.
“I suppose it’s logical,” said Philbin. “Any man may have a son. But I
have written twenty books and had only one son.”
The only answer came from quite an unexpected quarter. It was little
Norvel, who was sitting at Philbin’s elbow.
“Did you say, sir,” he asked, “that he went back three times?”
“Yes, Mr. Norvel, three times—three fishmongers.”
The man’s sneers would have been disgusting if they had not been so
plainly aimed at himself first. As it was, they were almost terrible.
Public-domain text, read in full here on John Shaqi.
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