The best short stories of 1918, and the yearbook of the American short story
General
The best short stories of 1918, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
_The Key of the Fields_ and _Boldero_, by _Henry Milner Rideout_
(Duffield & Company). These two picaresque novelettes have the magical
glamor of fairy tales set in Maxfield Parrish landscapes. They have
given me great pleasure by reason of their prismatic quality and their
whimsical humor. Mr. Rideout is a conscious stylist who never falls into
preciosity, but we must accept his world without qualification if we are
to enter properly into the spirit of his work.
_The Best College Short Stories_, edited by _Henry T. Schnittkind_ (The
Stratford Company). Mr. Schnittkind aims to consider annually the best
short stories in college magazines, following the same principles which
I have adopted in the present series of volumes. The idea is excellent,
and the results are surprisingly good. I find in this collection three
stories which would have won a place on my annual Roll of Honor: “The
Tomte Gubbe” by Alma P. Abrahamson, “The Dead City” by Isidor Schneider,
and “Angèle” by John Jones Sharon. The volume includes a large amount of
valuable illustrative material, including contributions by many magazine
editors and successful writers.
_The Scar that Tripled_, by _William G. Shepherd_ (Harper & Brothers).
In this short story Mr. Shepherd relates with vivid detail the true
story of the lad whose meeting with Richard Harding Davis at Salonica
suggested to the latter the story of “The Deserter.” To my mind it is a
better story than “The Deserter,” and one which will have a quiet life
of its own for some time.
_Land’s End and Other Stories_, by _Wilbur Daniel Steele_ (Harper &
Brothers). I consider this the best volume of short stories by an
American author published this year. It rightly claims a place in our
literature by virtue of Mr. Steele’s sensitive fidelity to the more
abiding romance of ordinary life. These stories have a quality of
romantic escape which is rare. Behind the complications which his men
and women weave for one another looms the eternal but ever-changing
pattern of the sea. Few writers show such economy in the use of their
material. These stories will last because of their imaginative reality,
their warm color, and their finality of artistic execution.
_Mr. Squem and Some Male Triangles_, by _Arthur Russell Taylor_ (George
H. Doran Company). These sketches have an American philosophy with more
background than the casual reader may at first realize. They help to
interpret much that would bewilder the foreigner, and their unassuming
excellence is noteworthy.
Public-domain text, read in full here on John Shaqi.
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