The best short stories of 1918, and the yearbook of the American short story
General
The best short stories of 1918, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
“Do you remember Brander? We brought him over once or twice. He was a
mighty decent sort of fellow. Somehow, though, I hated his being such
friends with Esmè, I’d been his only one for so long, you see. Brander
was born in India, and somehow Esmè found it out; from hearing him curse
in a dialect, I think. They used to talk some unheard-of jargon to each
other and enjoyed it.
“Well, one day Brander got smashed in a fight up the lines, along the
British front, and was dying. He kept asking for Esmè, calling his name,
and when Esmè got word of it, of course he started at once. He took one
of the baby Nieuports; they’re fast, and not much of a target from
below. He knew the Germans had a masked battery which he’d have to
cross.
“I thought I’d like to see him across the enemy country, so I let him
get a good start, and then I went up. I lost sight of him in a
cloud-bank, and must have flown beyond him, for when I cleared it, he
was behind and below me, and coming toward him a big German
fighting-plane.
“Esmè’s wasn’t a fighting-machine, and he should have tried to get away;
but he must have seen the German a second after I did and judged it too
late. He fired his revolver once, then suddenly seemed to lose control
of his machine, and dropped to the level of the other. He must have
thought he was done for and made his decision on the instant, counting
it better to try to ram the German plane and go down to death together
than to take the millionth chance of landing and let the enemy escape.
He went head on at the other, and they fell, woven as one machine, just
inside the German lines.
“Somehow I got back to our fellows; God knows I wish I hadn’t.
“Every man in our escadrille paid in his own way unconscious tribute to
Esmè’s memory. We were awfully and justly proud of him,—it’s something
to have died for France,—but for all of us the fun, the excitement, of
the work had gone, been snuffed out. No one turned corkscrew
somersaults, Esmè’s great stunt; no one did any of his special tricks
any more, not even to show off before the new men.
“We got one of those French immortelle wreaths, tied to it his name and
the number of the machine he was driving and dropped it inside their
lines. The next morning just at sunrise one of their men flew over our
hangars and threw down a stone. Painted on it in German was, ‘Your dead
sends thanks’! That’s just like them, brutal, and the last word on their
side.
“There’s always work to be done in war, each day’s effort to be made,
and the mercy of constant doing helped me. I used to try to forget the
fighting and the horrors and go back to the old days.
Public-domain text, read in full here on John Shaqi.
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