The best short stories of 1918, and the yearbook of the American short story
General
The best short stories of 1918, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
“Esmè never was like other men in certain ways—all the early things that
were unconsciously part of him, I suppose. Even as a little shaver at
school he couldn’t be made to understand the ‘why’ of a school-boy’s
code. He used to rush headlong into anything and everything, and he
generally came out on top. He did the most outrageous things calmly,
unthinkingly, and we always made excuses, forgave him, because he was
Esmè. At college the men were sometimes rather nasty to him, partly
because he couldn’t understand their points of view; and he used to
stare a minute and then loll away. He never hurried,—perhaps it was his
Oriental blood,—but he always got there, and could make his very lolling
an insult.
“I used to wonder just what it was that made Esmè a great aviator. He
was a phenomenally good pilot, although he himself never seemed to
realize his remarkable ability. His losing control of his machine that
day was inexplicable. But one can’t tell. That high up the slightest
thing uncounted on means death. Those days after—
“A month went by. One morning our anti-aircrafters started, and we
rushed to see what was doing, and there, just a blot against the
unclouded sky, was a plane turning corkscrew somersaults one after
another as it came lower and lower. I went mad for a few minutes; _only_
Esmè could turn corkscrews in such a way. I got the captain, and begged
him to give orders for our gunners to stop. I must have made him feel
the certainty of the wild thing I believed, for he gave the order. It
was one of our own machines, in it Esmè, alone—Esmè in the flesh before
us, drawn and haggard and old, but Esmè.
“At first he couldn’t speak. We called it strain; perhaps in any other
man we shouldn’t, even in our minds, have given it its real
name—emotion. He was like a girl. When I put my arm across his shoulders
in the old, familiar way, he began to weep silently.
“The fellows were awfully decent and drifted away out of kindness,
leaving him alone with me. We went to our tent, the one we’d shared
together, and there, after a little while, he told me how it all
happened.
“When the two machines fell together in a tangled heap, by some
miraculous chance he was unhurt. The German was dead before they landed,
he thought.
“Then began the slow, torturing weeks. They kept at him day and night,
night and day. They never left him alone, not just guards, but some one
always near him whose only business it was to _watch_ him.
Public-domain text, read in full here on John Shaqi.
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